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Two skeletons of Death attack a king in his throne room. 1792. 1926 (engraving)
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Two skeletons of Death attack a king in his throne room. 1792. 1926 (engraving)
7234876 Two skeletons of Death attack a king in his throne room. 1792. 1926 (engraving) by Chodowiecki, Daniel Nikolaus (1726-1801); Private Collection; (add.info.: Two skeletons of Death attack a king in his throne room. One figure of Death removes his crown, while another hits him with a sceptre. The king wears a wig, ermine cape and embroidered clothers. Three peasants kneel before him. Der Konig. Copperplate engraving drawn and etched by Daniel Nikolaus Chodowiecki from a series of Dance of Death, originally published in the Lavenburg Calendar in 1792. Reprinted in Totentanz from the original copperplates by Walther Nithack-Stahn, Eigenbrodler Verlag, Berlin, 1926.); © Florilegius
Media ID 25210472
© Florilegius / Bridgeman Images
Allegoric Allegories Allergoric Alllegorical Figure Animal Skeleton Crowns Danse Macabre King Of Macabre Dance Maharajah Marharaja Moanrchy Monarchic Poland Poland Polish Pole Polish Queens Sceptre Royal Sceptre Royalism Sceptre Sovereigns Symbole Symbolical Representation Symbolised Symbolising Symbology Deaths Mortality Passed Away Symbols
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This engraving by Daniel Nikolaus Chodowiecki depicts a dramatic scene of two skeletons of Death attacking a king in his throne room. Created in 1792 and reprinted in 1926, the artwork showcases the artist's skillful use of copperplate engraving to convey an allegorical message. In the image, one figure of Death removes the king's crown while another strikes him with a scepter. The king, adorned in a wig, ermine cape, and embroidered clothes, sits on his throne as three peasants kneel before him. This macabre dance between life and death serves as a powerful reminder of mortality and the transience of power. Chodowiecki's attention to detail is evident in every aspect of this composition. From the intricate clothing worn by the characters to their expressive gestures, each element contributes to the overall narrative. The artist expertly captures both fear and defiance within this haunting portrayal. The historical context surrounding this artwork adds depth to its meaning. Set against a backdrop of monarchy and royalism prevalent during that time period, it reflects upon themes such as authority, mortality, and social hierarchy. Through this engraving, Chodowiecki invites viewers to contemplate their own mortality while questioning notions of power and privilege. It serves as a timeless reminder that even kings are not immune from death's grasp. This print from Bridgeman Images offers art enthusiasts an opportunity to appreciate Chodowiecki's masterful technique while engaging with thought-provoking symbolism embedded within its imagery.
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