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Symbolised Collection

"Symbolised: Unveiling the Hidden Meanings in Art and History" Step into a world where every stroke of a brush, every line on a canvas

Background imageSymbolised Collection: Hispano-Suiza Car 1932

Hispano-Suiza Car 1932
Superb modern art publicity for this renowned marque which more than any other symbolised the great age of motoring

Background imageSymbolised Collection: Allegory of Music, 1649 (oil on canvas)

Allegory of Music, 1649 (oil on canvas)
7259975 Allegory of Music, 1649 (oil on canvas) by La Hire or La Hyre, Laurent de (1606-56); 105.7 x 144.1 cm; Metropolitan Museum of Art, New York

Background imageSymbolised Collection: Allegory of the Chianti region, Italy. Detail. Painting by Giorgio Vasari and his studio

Allegory of the Chianti region, Italy. Detail. Painting by Giorgio Vasari and his studio (1511-1574), 1565
BEN5476244 Allegory of the Chianti region, Italy. Detail. Painting by Giorgio Vasari and his studio (1511-1574), 1565. 16th century Italian mannerism. Ceiling in the Salle dei Cinquecento

Background imageSymbolised Collection: Allegory of the city of Arezzo, Italy. Painting by Giorgio Vasari and his studio (1511-1574), 1565

Allegory of the city of Arezzo, Italy. Painting by Giorgio Vasari and his studio (1511-1574), 1565
BEN5476809 Allegory of the city of Arezzo, Italy. Painting by Giorgio Vasari and his studio (1511-1574), 1565. 16th century Italian mannerism. Ceiling in the Salle dei Cinquecento

Background imageSymbolised Collection: AN ATTEMPT TO SWALLOW THE WORLD ! Napoleon has a globe in his mouth, John Bull is unimpressed

AN ATTEMPT TO SWALLOW THE WORLD ! Napoleon has a globe in his mouth, John Bull is unimpressed. 1803 (engraving)
7262242 AN ATTEMPT TO SWALLOW THE WORLD ! Napoleon has a globe in his mouth, John Bull is unimpressed. 1803 (engraving) by Woodward, George Moutard (c.1760-1809); Bromley Museum, Orpington

Background imageSymbolised Collection: Principalities; Thrones; Seraphs; Cherubs; Seraph; Cherub (engraving)

Principalities; Thrones; Seraphs; Cherubs; Seraph; Cherub (engraving)
7182254 Principalities; Thrones; Seraphs; Cherubs; Seraph; Cherub (engraving) by English School, (19th century); Private Collection; (add.info)

Background imageSymbolised Collection: Zeus symbolised as an eagle, 18th century (engraving)

Zeus symbolised as an eagle, 18th century (engraving)
5617336 Zeus symbolised as an eagle, 18th century (engraving) by Scheuchzer, Johann Jakob (1672-1733); (add.info.: illustration from Physique sacree, ou Histoire-naturelle de la Bible)

Background imageSymbolised Collection: The Death Of Domenico Morelli, Italys Greatest Contemporary Artist, On 13 Corr

The Death Of Domenico Morelli, Italys Greatest Contemporary Artist, On 13 Corr, In Naples (colour litho)
2798464 The Death Of Domenico Morelli, Italys Greatest Contemporary Artist, On 13 Corr, In Naples (colour litho) by Beltrame

Background imageSymbolised Collection: Peace? (colour litho)

Peace? (colour litho)
2814795 Peace? (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: Peace? Illustration for Courier Sunday, 25 June 1905.); © Look and Learn

Background imageSymbolised Collection: The victims of the barbaric air raids, Soldiers of Italy, avenge us! (colour litho)

The victims of the barbaric air raids, Soldiers of Italy, avenge us! (colour litho)
2808655 The victims of the barbaric air raids, Soldiers of Italy, avenge us! (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: The victims of the barbaric air raids)

Background imageSymbolised Collection: Le petit Sou - Journal de Defense Sociale, 1900 (lithography)

Le petit Sou - Journal de Defense Sociale, 1900 (lithography)
397470 Le petit Sou - Journal de Defense Sociale, 1900 (lithography) by Steinlen, Theophile Alexandre (1859-1923); JMK Archiv, Bremen, Germany; (add.info.: Marianne, grasping a worker with a pickaxe)

Background imageSymbolised Collection: Marble monument of Pope Gregory XIII, 1715-1723 (sculpture)

Marble monument of Pope Gregory XIII, 1715-1723 (sculpture)
LRI4623710 Marble monument of Pope Gregory XIII, 1715-1723 (sculpture) by Rusconi, Camillo (1658-1728); Basilica di San Pietro, Rome

Background imageSymbolised Collection: 397488

397488 by Cheret, Jules (1836-1932); JMK Archiv, Bremen, Germany; JMK Archiv

Background imageSymbolised Collection: Concerts Ysaye, 1896 (lithography)

Concerts Ysaye, 1896 (lithography)
398347 Concerts Ysaye, 1896 (lithography) by Meunier, Henri Georges Jean Isidore (1873-1922); JMK Archiv, Bremen, Germany; (add.info.: Poster for the concert on June 5)

Background imageSymbolised Collection: St John and his disciple Prochorus (Miniature, 1236)

St John and his disciple Prochorus (Miniature, 1236)
LRI4670600 St John and his disciple Prochorus (Miniature, 1236) by Armenian School (13th Century); Armenian Museum, Isfahan

Background imageSymbolised Collection: Les Affiches Etrangeres, 1897 (lithography)

Les Affiches Etrangeres, 1897 (lithography)
397471 Les Affiches Etrangeres, 1897 (lithography) by Rassenfosse, Armand (1862-1934); JMK Archiv, Bremen, Germany; (add.info.: Les Affiches Etrangeres and Lith. Aug)

Background imageSymbolised Collection: illustration: A battle of cards to play, for 'Un Autre Monde', edition Fournier, 1844

illustration: A battle of cards to play, for "Un Autre Monde", edition Fournier, 1844
PCT4262310 illustration: A battle of cards to play, for " Un Autre Monde", edition Fournier, 1844 by Grandville (Jean Ignace Isidore Gerard) (1803-47); (add.info)

Background imageSymbolised Collection: Barbarian art: cross set with precious stones, 6th century

Barbarian art: cross set with precious stones, 6th century
LRI4646375 Barbarian art: cross set with precious stones, 6th century by Byzantine School, (6th century); Basilica di San Pietro, Rome

Background imageSymbolised Collection: TAKING LEAVE, Charles James Fox bows to Napoleon, 1802 (engraving)

TAKING LEAVE, Charles James Fox bows to Napoleon, 1802 (engraving)
7262220 TAKING LEAVE, Charles James Fox bows to Napoleon, 1802 (engraving) by English School, (19th century); Bromley Museum, Orpington

Background imageSymbolised Collection: A CHECK TO CORSICAN ASSURANCE, 1805 (engraving)

A CHECK TO CORSICAN ASSURANCE, 1805 (engraving)
7262207 A CHECK TO CORSICAN ASSURANCE, 1805 (engraving) by Williams, C. (19th century); Bromley Museum, Orpington, UK; (add.info.: A CHECK TO CORSICAN ASSURANCE)

Background imageSymbolised Collection: THE MOCK PHOENIX! Or a vain attempt to RISE AGAIN, 1813 (engraving)

THE MOCK PHOENIX! Or a vain attempt to RISE AGAIN, 1813 (engraving)
7262244 THE MOCK PHOENIX! Or a vain attempt to RISE AGAIN, 1813 (engraving) by Rowlandson, Thomas (1756-1827); Bromley Museum, Orpington, UK; (add.info.: THE MOCK PHOENIX)

Background imageSymbolised Collection: CROSS EXAMINATION, Cornwallis and Bonaparte face each other, 1802 (engraving)

CROSS EXAMINATION, Cornwallis and Bonaparte face each other, 1802 (engraving)
7262243 CROSS EXAMINATION, Cornwallis and Bonaparte face each other, 1802 (engraving) by English School, (19th century); Bromley Museum, Orpington, UK; (add.info.: CROSS EXAMINATION)

Background imageSymbolised Collection: POLAR STAR, 1813 (engraving)

POLAR STAR, 1813 (engraving)
7262218 POLAR STAR, 1813 (engraving) by Dubois, Frederic (fl.1780-1815); Bromley Museum, Orpington, UK; (add.info.: POLAR STAR Oct 1813 cat: 11708 Star Brilliant, immense, it illuminates)

Background imageSymbolised Collection: THE TWO KINGS OF TERROR, 1813 (engraving)

THE TWO KINGS OF TERROR, 1813 (engraving)
7262215 THE TWO KINGS OF TERROR, 1813 (engraving) by Rowlandson, Thomas (1756-1827); Bromley Museum, Orpington, UK; (add.info.: THE TWO KINGS OF TERROR)

Background imageSymbolised Collection: Napoleon depicted as the Beast of the Revelation, 1808 (engraving)

Napoleon depicted as the Beast of the Revelation, 1808 (engraving)
7262214 Napoleon depicted as the Beast of the Revelation, 1808 (engraving) by Rowlandson, Thomas (1756-1827); Bromley Museum, Orpington

Background imageSymbolised Collection: GASCONARDERS OR THE GRAND ARMY RETREATING FROM MOSCOW, 1813 (engraving)

GASCONARDERS OR THE GRAND ARMY RETREATING FROM MOSCOW, 1813 (engraving)
7262211 GASCONARDERS OR THE GRAND ARMY RETREATING FROM MOSCOW, 1813 (engraving) by Williams, C. (19th century); Bromley Museum, Orpington

Background imageSymbolised Collection: ENGLAND TRIUMPHANT. Napoleon attempting to rally the imperial Guard at the battle of Waterloo, c

ENGLAND TRIUMPHANT. Napoleon attempting to rally the imperial Guard at the battle of Waterloo, c. 1815 (engraving)
7262238 ENGLAND TRIUMPHANT. Napoleon attempting to rally the imperial Guard at the battle of Waterloo, c. 1815 (engraving) by English School, (19th century); Bromley Museum, Orpington

Background imageSymbolised Collection: THE NARROW ESCAPE OF BONAPARTE FROM THE BATTLE OF Leipzig, 1814 (engraving)

THE NARROW ESCAPE OF BONAPARTE FROM THE BATTLE OF Leipzig, 1814 (engraving)
7262234 THE NARROW ESCAPE OF BONAPARTE FROM THE BATTLE OF Leipzig, 1814 (engraving) by Fores, S.W. (fl.1785-1825); Bromley Museum, Orpington

Background imageSymbolised Collection: THE BONE OF CONTENTION OR THE ENGLISH BULLDOG AND THE CORSICAN MONKEY, 1803 (engraving)

THE BONE OF CONTENTION OR THE ENGLISH BULLDOG AND THE CORSICAN MONKEY, 1803 (engraving)
7262217 THE BONE OF CONTENTION OR THE ENGLISH BULLDOG AND THE CORSICAN MONKEY, 1803 (engraving) by Williams, C. (19th century); Bromley Museum, Orpington

Background imageSymbolised Collection: THE JOURNEY OF A MODERN HERO TO THE ISLAND OF ELBA, c. 1814 (engraving)

THE JOURNEY OF A MODERN HERO TO THE ISLAND OF ELBA, c. 1814 (engraving)
7262206 THE JOURNEY OF A MODERN HERO TO THE ISLAND OF ELBA, c. 1814 (engraving) by English School, (19th century); Bromley Museum, Orpington

Background imageSymbolised Collection: Flight of Bonaparte from the battle of Krasnoi, 1815 (engraving)

Flight of Bonaparte from the battle of Krasnoi, 1815 (engraving)
7262236 Flight of Bonaparte from the battle of Krasnoi, 1815 (engraving) by Heath, William (1795-1840); Bromley Museum, Orpington

Background imageSymbolised Collection: COSSACKS AT THE BIVOUAC, c. 1814 (engraving)

COSSACKS AT THE BIVOUAC, c. 1814 (engraving)
7262229 COSSACKS AT THE BIVOUAC, c. 1814 (engraving) by Debucourt, Philibert Louis (1755-1832); Bromley Museum, Orpington

Background imageSymbolised Collection: I SHOT THIS IN MOSCOW, 1813 (engraving)

I SHOT THIS IN MOSCOW, 1813 (engraving)
7262228 I SHOT THIS IN MOSCOW, 1813 (engraving) by Dutch School, (19th century); Bromley Museum, Orpington, UK; (add.info.: DEZE BOK HEB IK GESCHOTEN TE MOSCOU Dutch print by Esfer)

Background imageSymbolised Collection: NAP AND HIS FRIENDS IN THEIR GLORY, 1813 (engraving)

NAP AND HIS FRIENDS IN THEIR GLORY, 1813 (engraving)
7262212 NAP AND HIS FRIENDS IN THEIR GLORY, 1813 (engraving) by Rowlandson, Thomas (1756-1827) (after); Bromley Museum, Orpington, UK; (add.info.: NAP AND HIS FRIENDS IN THEIR GLORY)

Background imageSymbolised Collection: THE CORSICAN MACHEATH DESIGNED. 1803 (engraving)

THE CORSICAN MACHEATH DESIGNED. 1803 (engraving)
7262205 THE CORSICAN MACHEATH DESIGNED. 1803 (engraving) by Cruikshank, Isaac (1756-1811); Bromley Museum, Orpington, UK; (add.info.: THE CORSICAN MACHEATH DESIGNED)

Background imageSymbolised Collection: Napoleon gallops on Ambition, a horse with wings on its feet over the globe, 1814 (engraving)

Napoleon gallops on Ambition, a horse with wings on its feet over the globe, 1814 (engraving)
7262245 Napoleon gallops on Ambition, a horse with wings on its feet over the globe, 1814 (engraving) by Heath, William (1795-1840); Bromley Museum, Orpington

Background imageSymbolised Collection: BONEY AND HIS NEW WIFE or a Quarrel about-Nothing!! 1810 (engraving)

BONEY AND HIS NEW WIFE or a Quarrel about-Nothing!! 1810 (engraving)
7262213 BONEY AND HIS NEW WIFE or a Quarrel about-Nothing!! 1810 (engraving) by Tegg, Thomas (1776-1845); Bromley Museum, Orpington, UK; (add.info.: BONEY AND HIS NEW WIFE or a Quarrel about-Nothing!)

Background imageSymbolised Collection: NAPOLEON -MAKE PEACE WITH !! 1813 (engraving)

NAPOLEON -MAKE PEACE WITH !! 1813 (engraving)
7262204 NAPOLEON -MAKE PEACE WITH !! 1813 (engraving) by German School, (19th century); Bromley Museum, Orpington, UK; (add.info.: NAPOLEON -MAKE PEACE WITH !)

Background imageSymbolised Collection: DUTCH NIGHTMARE or the fraternal hug returned with a Dutch squeeze, 1813 (engraving)

DUTCH NIGHTMARE or the fraternal hug returned with a Dutch squeeze, 1813 (engraving)
7262241 DUTCH NIGHTMARE or the fraternal hug returned with a Dutch squeeze, 1813 (engraving) by Rowlandson, Thomas (1756-1827); Bromley Museum, Orpington

Background imageSymbolised Collection: THE TYRANT OF THE CONTINENT IS FALLEN, 19th century (engraving)

THE TYRANT OF THE CONTINENT IS FALLEN, 19th century (engraving)
7262219 THE TYRANT OF THE CONTINENT IS FALLEN, 19th century (engraving) by Rowlandson, Thomas (1756-1827); Bromley Museum, Orpington, UK; (add.info.: THE TYRANT OF THE CONTINENT IS FALLEN)

Background imageSymbolised Collection: AN ATTEMPT TO UNDERMINE JOHN BULL or WORKING THROUGH THE GLOBE. 1803 (engraving)

AN ATTEMPT TO UNDERMINE JOHN BULL or WORKING THROUGH THE GLOBE. 1803 (engraving)
7262210 AN ATTEMPT TO UNDERMINE JOHN BULL or WORKING THROUGH THE GLOBE. 1803 (engraving) by Roberts, Piercy (fl.1791-1828); Bromley Museum, Orpington

Background imageSymbolised Collection: THE RIVAL ACCOUCHEURS OR WHO SHALL DELIVER EUROPE 1800 (engraving)

THE RIVAL ACCOUCHEURS OR WHO SHALL DELIVER EUROPE 1800 (engraving)
7262194 THE RIVAL ACCOUCHEURS OR WHO SHALL DELIVER EUROPE 1800 (engraving) by Cruikshank, Isaac (1756-1811); Bromley Museum, Orpington

Background imageSymbolised Collection: THE CORSICAN MUNCHAUSEN -HUMMING THE LADS OF PARIS. 1813 (engraving)

THE CORSICAN MUNCHAUSEN -HUMMING THE LADS OF PARIS. 1813 (engraving)
7262193 THE CORSICAN MUNCHAUSEN -HUMMING THE LADS OF PARIS. 1813 (engraving) by Rowlandson, Thomas (1756-1827) (after); Bromley Museum, Orpington

Background imageSymbolised Collection: France invites the Genius of Painting to transmit to future generations the story of French

France invites the Genius of Painting to transmit to future generations the story of French conquests
XIR347328 France invites the Genius of Painting to transmit to future generations the story of French conquests and the victories of her armies, c.1800 (gouache) by Lesueur, P. A

Background imageSymbolised Collection: Allegory of the Revolution of 1789, 1796 (oil on canvas)

Allegory of the Revolution of 1789, 1796 (oil on canvas)
XIR371998 Allegory of the Revolution of 1789, 1796 (oil on canvas) by Wilbaut, Jacques (1729-1806); 139x127 cm; Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageSymbolised Collection: Calligraphic title page with vignette of woman emerging from a p 1928 (print)

Calligraphic title page with vignette of woman emerging from a p 1928 (print)
7237129 Calligraphic title page with vignette of woman emerging from a p 1928 (print) by Barbier, Georges (1882-1932); Private Collection; (add.info)

Background imageSymbolised Collection: Triumphal entry of Henri IV in Paris (March 22, 1594), 1627-1630 (oil on canvas)

Triumphal entry of Henri IV in Paris (March 22, 1594), 1627-1630 (oil on canvas)
7260239 Triumphal entry of Henri IV in Paris (March 22, 1594), 1627-1630 (oil on canvas) by Rubens, Peter Paul (1577-1640); 380x692 cm; Galleria degli Uffizi, Florence, Tuscany

Background imageSymbolised Collection: Satirical engraving of the Eternal Masquerade, 18th century. 1906 (lithograph)

Satirical engraving of the Eternal Masquerade, 18th century. 1906 (lithograph)
7236890 Satirical engraving of the Eternal Masquerade, 18th century. 1906 (lithograph) by Guerard, Nicolas (18th century); Private Collection; (add.info)




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"Symbolised: Unveiling the Hidden Meanings in Art and History" Step into a world where every stroke of a brush, every line on a canvas, and every engraving carries profound symbolism. From the elegance of the Hispano-Suiza Car in 1932 to the mesmerizing Allegory of Music painted in 1649, these works transport us to realms beyond their mere physical existence. Intriguingly, Zeus takes flight as an eagle in an enchanting 18th-century engraving, reminding us of his majestic power. Meanwhile, "The Corsican bloodhound pursued by the Russian bear" captivates our imagination with its gripping illustration from 1895—a symbolic representation of Napoleon Bonaparte's relentless pursuit. Delving deeper into this realm of symbols, we encounter Death personified. In one chilling scene from an 18th-century engraving titled "The skeleton of Death murdering a bookseller, " mortality confronts knowledge itself. A haunting vignette depicts a man hanging from a gibbet alongside a skeletal figure—an eerie reminder that life is fleeting. But not all encounters with Death are gruesome; sometimes they carry social commentary. An intriguing engraving from 1792 portrays The skeleton of Death whipping a prostitute with cat-o-nine-tails—a stark depiction highlighting societal vices and moral decay. As we turn through history's pages further still, Volume 2 of Deaths Doings reveals its title page engraved in 1827—beckoning us to explore more tales entwined with mortality's touch. And who can forget Francisco Goya's masterpiece? "The execution of May 3rd" immortalizes heroism amidst tragedy—an oil painting that forever etches bravery onto our collective memory. Yet even artists themselves are not spared from death's embrace. Domenico Morelli meets his untimely demise captured vividly in color lithography—the passing away of Italy's greatest contemporary artist, forever commemorated.