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Gateway leading into the Residency, held by Captain Atkinson of the 13th Native Infantry
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Gateway leading into the Residency, held by Captain Atkinson of the 13th Native Infantry
NAM310741 Gateway leading into the Residency, held by Captain Atkinson of the 13th Native Infantry (b/w photo) by Beato, Felice (Felix) (1825-c.1908); National Army Museum, London; (add.info.: The Residency is actually a group of buildings that were built in 1800 A.D by the then Nawab of Oudh, Nawab Saadat Ali Khan. It was constructed in order to serve as the residence for the British Resident General who was a representative in the court of Nawab; associated with the Indian Mutiny (1857-59); ); eNational Army Museum; British, out of copyright
Media ID 22660240
© National Army Museum / Bridgeman Images
Arched Damaged Gate Remains Rubble War Damage
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EDITORS COMMENTS
This photograph captures the gateway leading into the Residency, held by Captain Atkinson of the 13th Native Infantry. The image, taken by Felice Beato (also known as Felix Beato), showcases the remains of this historical structure that was associated with the Indian Mutiny of 1857-59. The Residency, a collection of buildings constructed in 1800 A. D. , served as the residence for the British Resident General who acted as a representative in Nawab Saadat Ali Khan's court. However, what once stood proudly now stands as a haunting reminder of war damage and destruction. The photograph reveals a gate with an arched entrance, surrounded by crumbling walls and rubble. The architectural details are still visible despite being marred by time and conflict. It is evident that this walled compound has witnessed significant turmoil. As we gaze upon this image, we cannot help but feel drawn to its poignant beauty. The juxtaposition between strength and vulnerability is striking; it serves as a testament to both human resilience and our capacity for destruction. Through Beato's lens, we are transported back in time to witness history frozen in ruins. This print from Fine Art Finder allows us to reflect on the past while contemplating how these remnants shape our present understanding of cultural heritage and conflict-ridden narratives.
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