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Parts of the south and west walls of the Convent of St. Clare or Minoresses, founded 1293. After the fire of March 23, 1797. Walls of Caen stone and chalk, timber oak and chestnut
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Parts of the south and west walls of the Convent of St. Clare or Minoresses, founded 1293. After the fire of March 23, 1797. Walls of Caen stone and chalk, timber oak and chestnut
FLO5000362 Parts of the south and west walls of the Convent of St. Clare or Minoresses, founded 1293. After the fire of March 23, 1797. Walls of Caen stone and chalk, timber oak and chestnut. Copperplate engraving drawn and etched by John Thomas Smith from his Topography of London, 1812.; (add.info.: Parts of the south and west walls of the Convent of St. Clare or Minoresses, founded 1293. After the fire of March 23, 1797. Walls of Caen stone and chalk, timber oak and chestnut. Copperplate engraving drawn and etched by John Thomas Smith from his Topography of London, 1812.); © Florilegius
Media ID 38350028
© © Florilegius / Bridgeman Images
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This print captures the haunting beauty of the south and west walls of the Convent of St. Clare or Minoresses, which was founded in 1293 but tragically destroyed by a fire on March 23, 1797. The walls, constructed from Caen stone and chalk, as well as timber oak and chestnut, stand as silent witnesses to the passage of time and the resilience of sacred architecture.
The intricate details captured in this copperplate engraving drawn and etched by John Thomas Smith in his Topography of London in 1812 showcase the craftsmanship and artistry that went into building such a structure. The ruins left behind after the devastating fire evoke a sense of loss and nostalgia for a bygone era.
As we gaze upon this image, we are transported back to a time when laborers worked tirelessly to construct buildings that would stand for centuries. The presence of farm equipment in the foreground serves as a reminder of the agricultural roots that sustained communities like this one.
Overall, this print is not just a visual representation of historical architecture but also a poignant reminder of how fleeting our creations can be in the face of nature's destructive forces. It invites us to reflect on our own impermanence and appreciate the beauty that remains even amidst ruin.
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