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Photographic Print : Parts of the south and west walls of the Convent of St. Clare or Minoresses, founded 1293. After the fire of March 23, 1797. Walls of Caen stone and chalk, timber oak and chestnut

Parts of the south and west walls of the Convent of St. Clare or Minoresses, founded 1293. After the fire of March 23, 1797. Walls of Caen stone and chalk, timber oak and chestnut




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Parts of the south and west walls of the Convent of St. Clare or Minoresses, founded 1293. After the fire of March 23, 1797. Walls of Caen stone and chalk, timber oak and chestnut

FLO5000362 Parts of the south and west walls of the Convent of St. Clare or Minoresses, founded 1293. After the fire of March 23, 1797. Walls of Caen stone and chalk, timber oak and chestnut. Copperplate engraving drawn and etched by John Thomas Smith from his Topography of London, 1812.; (add.info.: Parts of the south and west walls of the Convent of St. Clare or Minoresses, founded 1293. After the fire of March 23, 1797. Walls of Caen stone and chalk, timber oak and chestnut. Copperplate engraving drawn and etched by John Thomas Smith from his Topography of London, 1812.); © Florilegius

Media ID 38350028

© © Florilegius / Bridgeman Images

Agricultural Vehicle Builder Chalk Charrue Clare Farm Equipment Farm Implement Farm Tool Hitch John Thomas Smith Mechanics Mechanism Ouvrier Plough Plow Rubble Threshing Machine Topography Of London Caen Stone Laborer Labourer Regency Tradesman Tradesmen


10"x8" Photo Print

Discover the rich history and intricate details of the Convent of St. Clare with this stunning photographic print from Fine Art Finder. Capturing the beauty of the south and west walls after a devastating fire in 1797, this piece showcases the craftsmanship of Caen stone, chalk, oak, and chestnut timber. A must-have for art enthusiasts and history buffs alike.

Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Product Size is 20.3cm x 25.4cm (8" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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EDITORS COMMENTS
This print captures the haunting beauty of the south and west walls of the Convent of St. Clare or Minoresses, which was founded in 1293 but tragically destroyed by a fire on March 23, 1797. The walls, constructed from Caen stone and chalk, as well as timber oak and chestnut, stand as silent witnesses to the passage of time and the resilience of sacred architecture. The intricate details captured in this copperplate engraving drawn and etched by John Thomas Smith in his Topography of London in 1812 showcase the craftsmanship and artistry that went into building such a structure. The ruins left behind after the devastating fire evoke a sense of loss and nostalgia for a bygone era. As we gaze upon this image, we are transported back to a time when laborers worked tirelessly to construct buildings that would stand for centuries. The presence of farm equipment in the foreground serves as a reminder of the agricultural roots that sustained communities like this one. Overall, this print is not just a visual representation of historical architecture but also a poignant reminder of how fleeting our creations can be in the face of nature's destructive forces. It invites us to reflect on our own impermanence and appreciate the beauty that remains even amidst ruin.

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