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The Morning Visit: Caricature on the relations between aristocracy and the clergy. Lord at his table writing with a quill pen surrounded by documents and charters

The Morning Visit: Caricature on the relations between aristocracy and the clergy. Lord at his table writing with a quill pen surrounded by documents and charters


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The Morning Visit: Caricature on the relations between aristocracy and the clergy. Lord at his table writing with a quill pen surrounded by documents and charters

FLO4718228 The Morning Visit: Caricature on the relations between aristocracy and the clergy. Lord at his table writing with a quill pen surrounded by documents and charters. Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.; (add.info.: The Morning Visit: Caricature on the relations between aristocracy and the clergy. Lord at his table writing with a quill pen surrounded by documents and charters. Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.); © Florilegius

Media ID 38323754

© © Florilegius / Bridgeman Images

Aristocratie Call Casket Clerge Coffret Coin Purse Default Dessin Satirique Documents Gossip Greed Hogarthian Human Passions Delineated John Collier John Necklace Lord Moeurs Morals Noblesse Ordre Religieux Porte Monnaie Pretre Quill Pen Societe Thomas Sanders Timothy Bobbin Vice Visage Visite 18eme Siecle Charters Grande Bretagne Homme Noble Nobles Religious Role


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> Arts > Artists > C > John Collier

> Arts > Artists > C > Thomas Collier

> Arts > Pop art > Satire > Satirical artwork

> Europe > United Kingdom > England > Manchester > Manchester

> Fine Art Finder > Artists > French School


EDITORS COMMENTS
The Morning Visit: Caricature on the relations between aristocracy and the clergy captures a satirical illustration by Timothy Bobbin, depicting a Lord at his table engrossed in writing with a quill pen surrounded by documents and charters. This 18th-century copperplate engraving by Thomas Sanders offers a scathing satire on the dynamics between the aristocracy and the clergy. In this intricate artwork, we see the priestly figure engaging with the nobleman in what appears to be a formal visit or meeting. The detailed expressions on their faces hint at underlying tensions or power dynamics within their interaction. The clutter of documents and charts around them symbolizes bureaucracy and perhaps hints at hidden agendas or political maneuvering. This piece not only serves as a reflection of societal norms and hierarchies during that era but also highlights themes of wealth, privilege, and influence. The contrast between the religious role of the clergyman and the worldly authority of the Lord is brought to light through this clever caricature. As we delve into this intriguing image, we are invited to ponder upon questions of class distinctions, power structures, and human nature itself. The Morning Visit stands as a timeless commentary on social relationships that continues to resonate with audiences today.

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