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Fingal Encounters Carbon Carglass, first printed c. 1773 (etching)
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Fingal Encounters Carbon Carglass, first printed c. 1773 (etching)
1071715 Fingal Encounters Carbon Carglass, first printed c.1773 (etching) by Runciman, Alexander (1736-85); Dallas Museum of Art, Texas, USA; bequest of Rozwell Sam Adams in memory of Herndon Kimball Adams and Loither Iler Adams; English, out of copyright
Media ID 22204108
© bequest of Rozwell Sam Adams in memory of Herndon Kimball Adams and Loither Iler Adams / Bridgeman Images
Encounters Fingal Neoclassicism Shields Warriors Wind Windy Neoclassical
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Fingal Encounters Carbon Carglass - A Captivating Neoclassical Encounter
EDITORS COMMENTS
. In this intriguing etching, titled "Fingal Encounters Carbon Carglass" we are transported back to the 18th century and immersed in a neoclassical world of warriors and landscapes. Created by Alexander Runciman in approximately 1773, this print captures a pivotal moment frozen in time. The scene unfolds amidst a windswept landscape, where figures clad in ancient armor stand poised for battle. Fingal, our central protagonist, engages with Carbon Carglass – an enigmatic warrior whose presence exudes strength and determination. The tension between them is palpable as they prepare to clash shields. Amidst the chaos of war, there stands a striking female figure who commands attention. Her stoic gaze reveals her importance within this narrative; perhaps she represents wisdom or serves as an emblematic symbol of resilience. Runciman's mastery lies not only in his ability to depict human form but also in capturing the atmospheric elements that surround these characters. The wind whips through their hair and garments, adding dynamism to the composition and heightening the drama unfolding before us. This neoclassical masterpiece showcases Runciman's skillful blend of classical themes with contemporary sensibilities. It transports us into an ancient world filled with honor-bound warriors and powerful women who defy societal expectations. Displayed at the Dallas Museum of Art since its acquisition from Rozwell Sam Adams' be
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