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Poster Print : Fingal Encounters Carbon Carglass, first printed c. 1773 (etching)

Fingal Encounters Carbon Carglass, first printed c. 1773 (etching)




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Fingal Encounters Carbon Carglass, first printed c. 1773 (etching)

1071715 Fingal Encounters Carbon Carglass, first printed c.1773 (etching) by Runciman, Alexander (1736-85); Dallas Museum of Art, Texas, USA; bequest of Rozwell Sam Adams in memory of Herndon Kimball Adams and Loither Iler Adams; English, out of copyright

Media ID 22204108

© bequest of Rozwell Sam Adams in memory of Herndon Kimball Adams and Loither Iler Adams / Bridgeman Images

Encounters Fingal Neoclassicism Shields Warriors Wind Windy Neoclassical


20x30 inch Poster Print

Experience the rich history of art with our exquisite poster prints from Media Storehouse. This particular piece showcases "Fingal Encounters Carbon Carglass, first printed c.1773 (etching)" by Alexander Runciman. A captivating etching from the Dallas Museum of Art, Texas, this print brings the intricate details and masterful shading of the original work to life. Add this beautiful piece to your home or office for a touch of timeless elegance and art appreciation.

Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 76.8cm x 51.4cm (30.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Alexander Runciman

> Fine Art Finder > Artists > Giovanni Battista Piranesi

> Fine Art Finder > Pre-raphaelites & Neo-classical

> Arts > Art Movements > Neoclassicism

> Arts > Artists > R > Alexander Runciman

> North America > United States of America > Texas > Dallas

> North America > United States of America > Texas > Related Images


Fingal Encounters Carbon Carglass - A Captivating Neoclassical Encounter

EDITORS COMMENTS
. In this intriguing etching, titled "Fingal Encounters Carbon Carglass" we are transported back to the 18th century and immersed in a neoclassical world of warriors and landscapes. Created by Alexander Runciman in approximately 1773, this print captures a pivotal moment frozen in time. The scene unfolds amidst a windswept landscape, where figures clad in ancient armor stand poised for battle. Fingal, our central protagonist, engages with Carbon Carglass – an enigmatic warrior whose presence exudes strength and determination. The tension between them is palpable as they prepare to clash shields. Amidst the chaos of war, there stands a striking female figure who commands attention. Her stoic gaze reveals her importance within this narrative; perhaps she represents wisdom or serves as an emblematic symbol of resilience. Runciman's mastery lies not only in his ability to depict human form but also in capturing the atmospheric elements that surround these characters. The wind whips through their hair and garments, adding dynamism to the composition and heightening the drama unfolding before us. This neoclassical masterpiece showcases Runciman's skillful blend of classical themes with contemporary sensibilities. It transports us into an ancient world filled with honor-bound warriors and powerful women who defy societal expectations. Displayed at the Dallas Museum of Art since its acquisition from Rozwell Sam Adams' be

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