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At his own ball Mr Bingley offended two or three young ladies by not asking them to dance, through being wholly engrossed with another (engraving)

At his own ball Mr Bingley offended two or three young ladies by not asking them to dance, through being wholly engrossed with another (engraving)


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At his own ball Mr Bingley offended two or three young ladies by not asking them to dance, through being wholly engrossed with another (engraving)

3625591 At his own ball Mr Bingley offended two or three young ladies by not asking them to dance, through being wholly engrossed with another (engraving) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: At his own ball Mr Bingley offended two or three young ladies by not asking them to dance, through being wholly engrossed with another. Illustration for Hugh Thomson by M H Spielmann and Walter Jerrold (A&C Black, 1931). Digitally cleaned image.); © Look and Learn

Media ID 22986000

© Look and Learn / Bridgeman Images

Engrossed Gioco Hugh Thomson Ireland Irish Jane Austen North Of Ireland Offended Parlor Game Prejudice Pride Thomson Hugh 1860 1920 Ball Games Parlour Game The Woman Wholly


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EDITORS COMMENTS
In this print titled "At his own ball Mr Bingley offended two or three young ladies by not asking them to dance, through being wholly engrossed with another" artist Hugh Thomson transports us back to the elegant world of Jane Austen's Pride and Prejudice. The scene unfolds at a grand ball, where Mr. Bingley, portrayed as a charming gentleman, unintentionally causes offense by neglecting to invite certain young ladies for a dance. Thomson skillfully captures the essence of the moment, focusing our attention on Mr. Bingley's intense fascination with an engraving that captivates him completely. As he stands absorbed in its beauty and intricacy, several disappointed women cast longing glances towards him in hopes of securing a dance partner for the evening. The artist's attention to detail is evident throughout the print; from the exquisite gowns worn by these graceful women to their expressions filled with both pride and disappointment. Thomson masterfully conveys the social dynamics of this era - where every interaction held great significance and even small slights could cause offense. This artwork serves as a reminder of Austen's timeless exploration of societal expectations and romantic entanglements. Through his artistry, Thomson invites us into this enchanting world while shedding light on themes that continue to resonate today: human connection, missed opportunities, and the delicate balance between personal desires and societal obligations.

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