Jane Austen Collection

I hope Mr. Bingley will like it, illustration from Pride & Prejudice
XJF451372 I hope Mr. Bingley will like it, illustration from Pride & Prejudice by Jane Austen, edition published in 1894 (engraving) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Mr)

Mr. Darcy with him, illustration from Pride & Prejudice by Jane Austen
XJF466203 Mr. Darcy with him, illustration from Pride & Prejudice by Jane Austen, edition published in 1894 (engraving) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Mr. Darcy and Mr)

Tenderly flirting, illustration from Pride & Prejudice by Jane Austen
XJF451387 Tenderly flirting, illustration from Pride & Prejudice by Jane Austen, edition published in 1894 (engraving) by Thomson

Jane Austens house, Chawton, Hampshire, England, United Kingdom, Europe

Chawton House
BAL10386 Chawton House by English School, (19th century); Chawton House, Hampshire, UK; English, out of copyright

Illustration for Emma by Jane Austen (colour litho)
3651245 Illustration for Emma by Jane Austen (colour litho) by Brock, Charles Edmund (1870-1938); Private Collection; (add.info.: " Most beloved Emma)

When the party entered, illustration from Pride & Prejudice by Jane Austen
XJF451373 When the party entered, illustration from Pride & Prejudice by Jane Austen, edition published in 1894 (engraving) by Thomson

Introduced... as Mr Henry Tilney, 1907 (illustration)
2963088 Introduced.....as Mr Henry Tilney, 1907 (illustration) by Brock, Charles Edmund (1870-1938); Private Collection; (add.info)

A charming game with a litter of puppies, 1907 (illustration)
2963087 A charming game with a litter of puppies, 1907 (illustration) by Brock, Charles Edmund (1870-1938); Private Collection; (add.info)

Good God! How came you up that staircase? 1907 (illustration)
2963086 Good God! How came you up that staircase? 1907 (illustration) by Brock, Charles Edmund (1870-1938); Private Collection; (add.info)

Illustration for Northanger Abbey by Jane Austen (colour litho)
5210455 Illustration for Northanger Abbey by Jane Austen (colour litho) by Mills, Arthur Wallis (1878-1940); Private Collection; (add.info.: Catherine went every five minutes to the clock)

Jane Austen, c1789, (1919). After a painting previously attributed to John Zoffany. Recent analysis suggests that this work shows Jane Austen (1775-1817) at the age of 13

I have not an instant to lose, illustration from Pride & Prejudice
XJF451393 I have not an instant to lose, illustration from Pride & Prejudice by Jane Austen, edition published in 1894 (engraving) by Thomson

Accompanied by their aunt, illustration from Pride & Prejudice by Jane Austen
XJF451389 Accompanied by their aunt, illustration from Pride & Prejudice by Jane Austen, edition published in 1894 (engraving) by Thomson

Chawton House and Church, 1809
BAL3869 Chawton House and Church, 1809 by English School, (19th century); Chawton House, Hampshire, UK; English, out of copyright

Lady Penelope brings her Giraffe to Dinner
Sue Skellern

Jane Austen and her sister Cassandra, 1810 (engraving)
1577396 Jane Austen and her sister Cassandra, 1810 (engraving); (add.info.: Engraving of Jane Austen and her sister Cassandra doing needlework in the rectory garden)

Jane Austen, 1810
1577875 Jane Austen, 1810; (add.info.: Portrait of Jane Austen (1775-1817) English novelist, whose works or romantic fiction. Dated 1810.); Universal History Archive/UIG

A young Jane Austen, 1790
1577395 A young Jane Austen, 1790; (add.info.: Portrait of a young Jane Austen (1775-1817), an English novelist whose works of romantic fiction, set among the landed gentry

Tombstone of Jane Austen at Winchester Cathedral
3077815 Tombstone of Jane Austen at Winchester Cathedral; (add.info.: Tombstone of Jane Austen at Winchester Cathedral. Jane Austen (1775-1817) an English novelist

Mr Darcy and Elizabeth Bennet
2604855 Mr Darcy and Elizabeth Bennet; (add.info.: Mr Darcy and Elizabeth Bennet, hero and heroine of the book, are introduced. Illustration by C.E)

Jane Austen's father introducing one of his children to friends, 1788 (engraving)
1577400 Jane Austen's father introducing one of his children to friends, 1788 (engraving); (add.info.: Engraving depicts Jane Austen's father introducing one of his children to some friends)

Pride and Prejudice, 1855
1577869 Pride and Prejudice, 1855; (add.info.: Illustration for Jane Austen's (1775-1817) novel Pride and Prejudice'. Dated 1855.); Universal History Archive/UIG

The unwelcome hints of Mr. Shepherd, his Agent, Chapter I frontispiece for Jane Austen's... 1898
The unwelcome hints of Mr. Shepherd, his Agent, Chapter I frontispiece for Jane Austen's Persuasion, 1898

England, Hampshire, Alton, Chawton, Parish Church of St. Nicholas
England, Hampshire, Alton, Chawton, Parish Church of St.Nicholas

England, Hampshire, Alton, Chawton, Chawton House

England, Hampshire, Alton, Chawton, Chawton House

England, Hampshire, Alton, Chawton, Parish Church of St. Nicholas, The Graves of Jane Austens Mother and Sister
England, Hampshire, Alton, Chawton, Parish Church of St.Nicholas, The Graves of Jane Austens Mother and Sister

England, Hampshire, Alton, Chawton, Parish Church of St. Nicholas
England, Hampshire, Alton, Chawton, Parish Church of St.Nicholas

England, Hampshire, Alton, Chawton, Parish Church of St. Nicholas
England, Hampshire, Alton, Chawton, Parish Church of St.Nicholas

England, Hampshire, Alton, Chawton, Chawton House

England, Hampshire, Alton, Chawton, Chawton House

England, Hampshire, Alton, Chawton, Jane Austens House in the Spring

England, Hampshire, Chawton, Jane Austens House

Pedlar doll, called Sarah Thrifty, 1820-40 (wood, cotton, wool, silk & felt)
4429313 Pedlar doll, called Sarah Thrifty, 1820-40 (wood, cotton, wool, silk & felt) by European School, (19th century); length: 20.3 cm; Manchester Art Gallery, UK; (add.info.: Pedlar doll)

Jane Austen Persuasion. Austen's last novel published 1818, 1897 (engraving)
534401 Jane Austen Persuasion. Austen's last novel published 1818, 1897 (engraving) by Thomson, Hugh (1860-1920); (add.info.: Captain Wentworth giving Anne Elliot his note of declaration)

Illustration for Jane Austen's Persuasion, 1897 (engraving)
534398 Illustration for Jane Austen's Persuasion, 1897 (engraving) by Thomson, Hugh (1860-1920); (add.info.: Austen's last novel published 1818)

Illustration for Persuasian by Jane Austen (colour litho)
6007322 Illustration for Persuasian by Jane Austen (colour litho) by Austen, John (1886-1948); Private Collection; (add.info.: The Admiral discusses art)

Illustration for Persuasian by Jane Austen (colour litho)
6007313 Illustration for Persuasian by Jane Austen (colour litho) by Austen, John (1886-1948); Private Collection; (add.info.: Captain Wentworth taking station)

Illustration for Persuasian by Jane Austen (colour litho)
6007312 Illustration for Persuasian by Jane Austen (colour litho) by Austen, John (1886-1948); Private Collection; (add.info.: Persuasion)

Illustration for Persuasian by Jane Austen (colour litho)
6007316 Illustration for Persuasian by Jane Austen (colour litho) by Austen, John (1886-1948); Private Collection; (add.info.: Elliots, a proud trio)

Winchester home of English author, Jane Austen (b / w photo)
7186456 Winchester home of English author, Jane Austen (b/w photo) by McLeish, Donald (1879-1950); Private Collection; (add.info.: Winchester home of English author, Jane Austen)

Illustration for Persuasian by Jane Austen (colour litho)
6007310 Illustration for Persuasian by Jane Austen (colour litho) by Austen, John (1886-1948); Private Collection; (add.info.: Captain Benwick quotes Byron)

Jane Austen (engraving) (later colourization)
1740877 Jane Austen (engraving) (later colourization) by Austen, Cassandra (c.1772-1845) (after); Private Collection; (add.info.: Jane Austen (1775-1817) English author

Illustration for Jane Austens Emma (engraving)
7164681 Illustration for Jane Austens Emma (engraving) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Deeply occupied about her spectacles)

Illustration for Jane Austens Emma (engraving)
7164697 Illustration for Jane Austens Emma (engraving) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: He stopped to look the question)

Illustration for Jane Austens Emma (engraving)
7164678 Illustration for Jane Austens Emma (engraving) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: He stopt to look in)

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"Jane Austen: A Literary Journey Through Love and Wit" In the enchanting world of Jane Austen, where love and wit intertwine, we find ourselves captivated by her timeless tales. With bated breath, we hope that Mr. Bingley will appreciate our efforts to impress him with our charm and grace. As we delve into the pages of Pride & Prejudice, an illustration tenderly captures the essence of flirtation - a dance between hearts. But it is not only Mr. Bingley who holds our attention; Mr. Darcy stands beside him in another captivating illustration from Pride & Prejudice. Their presence ignites a spark within us as we witness their complex relationship unfold. As we journey through Austen's world, Chawton House emerges as a symbol of inspiration for this remarkable author. It was within these walls that she penned her beloved novels, including Emma and Sense and Sensibility. Jane Austen's house in Chawton, Hampshire welcomes us with open arms—a sanctuary where her creativity flourished amidst the picturesque English countryside. Here lies the heart of her literary legacy—an abode filled with stories waiting to be discovered. With anticipation building, we enter a grand ballroom alongside characters from Pride & Prejudice—our imaginations ignited by an exquisite illustration capturing their entrance into society's spotlight. Introducing us to yet another tale is an illustration from Northanger Abbey—a glimpse into Catherine Morland's adventure-filled journey through romance and mystery. A charming game unfolds before our eyes—one that involves a litter of adorable puppies—bringing joy to both characters and readers alike in 1907's delightful illustration. And then there is that unforgettable moment when surprise takes hold—"Good God. How came you up that staircase?" echoes through time in yet another mesmerizing depiction from 1907—an image forever etched in our minds.