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The Last Supper, c. 1525-28 (wool, silk, silver-gilt thread)

The Last Supper, c. 1525-28 (wool, silk, silver-gilt thread)


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The Last Supper, c. 1525-28 (wool, silk, silver-gilt thread)

3615952 The Last Supper, c.1525-28 (wool, silk, silver-gilt thread) by Orley, Bernard van (c.1488-1541) (workshop of); 335x350 cm; Metropolitan Museum of Art, New York, USA; (add.info.: Probably woven by Pieter de Pannemaker (Netherlandish, active 1517-1535) for the Duke of Alba
Several details suggest a Protestant interpretation. The paschal lamb is absent and the dish that would have held it holds a large chalice filled with wine, reflecting the beliefs of Martin Luther, who repudiated the sacrifice of the Mass symbolized by the slaughtered lamb as an abomination, but supported the partaking of bread and wine.
); Netherlandish, out of copyright

Media ID 22455228

© Bridgeman Images

Apostles Betrayal Bread Brussels Communion Crucifixion Disciples Eucharist Gospels John Judas Life Of Christ Loggia Mass Passion Reformation Supper Weaving Belgians Belgium Belgian Benelux Countries


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Renaissance Art

> Arts > Artists > L > Martin Luther

> Arts > Artists > M > John Martin

> Arts > Artists > O > Bernard van Orley

> Arts > Still life artwork > Textile fabric artworks

> Europe > Belgium > Brussels

> Europe > Belgium > Posters

> Europe > Belgium > Related Images

> Europe > Netherlands > Posters

> Europe > Netherlands > Related Images

> Fine Art Finder > Artists > Bernard van (workshop of) Orley

> Fine Art Finder > Artists > Italian School


EDITORS COMMENTS
This print showcases "The Last Supper" tapestry, created between 1525-28 by Bernard van Orley and his workshop. Measuring an impressive 335x350 cm, this textile masterpiece is housed in the Metropolitan Museum of Art in New York City. Notably, the tapestry reflects a Protestant interpretation of the iconic biblical scene. One striking departure from traditional depictions is the absence of the paschal lamb, which symbolizes Jesus' sacrifice. In its place stands a large chalice filled with wine—a representation aligned with Martin Luther's beliefs. Luther rejected the notion of sacrificing Mass embodied by the slaughtered lamb as an abomination but supported partaking in bread and wine. Woven with wool, silk, and silver-gilt thread, this intricate tapestry was likely crafted by Pieter de Pannemaker for the Duke of Alba. Its rich details and vibrant colors bring to life key moments from Christ's final meal with his disciples before his crucifixion. "The Last Supper" tapestry serves as a powerful testament to both religious devotion and artistic skill during the Renaissance period. It invites viewers into an intimate setting where Jesus shares bread and wine with his loyal apostles amidst impending betrayal. With its historical significance and exquisite craftsmanship, this remarkable textile continues to inspire awe among visitors at The Metropolitan Museum of Art—an enduring tribute to faith, artistry, and cultural heritage.

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