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The Virgin presenting Jesus to three people (sculpture, 14th century)
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The Virgin presenting Jesus to three people (sculpture, 14th century)
LRI4671140 The Virgin presenting Jesus to three people (sculpture, 14th century) by Campione, Bonino da (fl.1357-97); Castello Sforzesco, Civiche Raccolte D Arte, Museo D Arte Antica, Milan, Italy; (add.info.: Lombard Romanesque Art: " La vierge presente l enfant A trois characters" Relief des maitres du Campione (maestri campionesi) (First Romanesque: relief of the virgin presenting Jesus to three people, sculpture by Campionese masters) 14th century Museum of Art Antica Milan); Luisa Ricciarini; Italian, out of copyright
Media ID 22465614
© Luisa Ricciarini / Bridgeman Images
Lacrosse Lombardy Prostration Romanesque Style Trecento
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EDITORS COMMENTS
This 14th-century sculpture, titled "The Virgin presenting Jesus to three people" transports us back in time to the Lombard Romanesque era. Crafted by the skilled hands of Bonino da Campione and his fellow maestri campionesi, this relief masterpiece resides within the Castello Sforzesco in Milan, Italy. In this scene, we witness a tender moment as the Virgin Mary presents her beloved son, Jesus Christ, to three individuals. The intricate carving captures their awe and reverence as they prostrate themselves before the divine child. The artist's attention to detail is evident in every fold of fabric and expression on each face. This artwork not only showcases exceptional craftsmanship but also serves as a testament to religious devotion during that period. It reflects the deep faith and spiritual significance attributed to both motherhood and divinity. Luisa Ricciarini's expertly captured print allows us to appreciate this historical treasure from afar. Through her lens, we can explore every delicate curve and contour of this remarkable sculpture while contemplating its profound meaning. As we gaze upon this image, we are reminded of our shared human experience across centuries – our longing for connection with something greater than ourselves. This sculpture continues to inspire awe and contemplation today just as it did when it was first created over six centuries ago.
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