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The New Dynasty, or The Little Corsican Gardiner planting a Royal Pippin Tree
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The New Dynasty, or The Little Corsican Gardiner planting a Royal Pippin Tree
NCO190442 The New Dynasty, or The Little Corsican Gardiner planting a Royal Pippin Tree, published by Hannah Humphrey in 1807 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: planting his own family as the newly crowned heads of Europe; Lord Grenvilles (1749-1834) Ministry chopping down royal oak; ); English, out of copyright
Media ID 23356252
© Bridgeman Images
1769 1821 Administration Coalition Conqueror Crowns Dynastic Felling French Emperor Gardener Gardening Grenville Napoleon Bonaparte Napoleonic Wars Orchard Political Satire Prime Minister Propaganda Sovereign Nepotism
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The New Dynasty, or The Little Corsican Gardiner planting a Royal Pippin Tree
EDITORS COMMENTS
is a captivating and thought-provoking print created by James Gillray in 1807. This hand-coloured etching showcases the political satire and sharp wit for which Gillray was renowned. In this satirical masterpiece, Napoleon Bonaparte, depicted as a gardener, is shown planting his own family members as newly crowned heads of Europe. The image cleverly alludes to the French Emperor's ambition to establish his dynasty across the continent. Meanwhile, Lord Grenville's Ministry can be seen chopping down a royal oak tree symbolizing English monarchy. This represents their administration's assault on traditional institutions and values. Gillray's artwork serves as propaganda against Napoleon Bonaparte and his coalition government. It highlights themes of nepotism, destruction, and the abuse of power within dynastic rule. The artist brilliantly captures the political climate of the Napoleonic Wars era through this cartoon-like portrayal. With its detailed engravings and vibrant colors, "The New Dynasty" offers viewers an opportunity to reflect on the complexities of governance during that time. This print remains an important historical artifact that sheds light on both international politics and domestic affairs in early 19th-century Europe. Its enduring relevance makes it an invaluable piece in understanding how art can serve as a powerful medium for social commentary.
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