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Metal Print : The New Dynasty, or The Little Corsican Gardiner planting a Royal Pippin Tree
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The New Dynasty, or The Little Corsican Gardiner planting a Royal Pippin Tree
NCO190442 The New Dynasty, or The Little Corsican Gardiner planting a Royal Pippin Tree, published by Hannah Humphrey in 1807 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: planting his own family as the newly crowned heads of Europe; Lord Grenvilles (1749-1834) Ministry chopping down royal oak; ); English, out of copyright
Media ID 23356252
© Bridgeman Images
1769 1821 Administration Coalition Conqueror Crowns Dynastic Felling French Emperor Gardener Grenville Napoleon Bonaparte Napoleonic Wars Orchard Political Satire Prime Minister Propaganda Sovereign Nepotism
16"x24" (61x41cm) Metal Print
Bring the timeless beauty of history into your home with Media Storehouse Metal Prints. This exquisite piece features "The New Dynasty, or The Little Corsican Gardiner planting a Royal Pippin Tree" by the renowned satirical artist James Gillray, published by Hannah Humphrey in 1807. This hand-coloured etching, now available as a Metal Print, showcases the intricate details and vibrant colors of this classic work from Fine Art Finder's extensive collection. Each Metal Print is crafted using high-quality materials and advanced printing techniques, ensuring a stunning, long-lasting display. Add a touch of history and artistry to your decor with this unique and captivating piece.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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The New Dynasty, or The Little Corsican Gardiner planting a Royal Pippin Tree
EDITORS COMMENTS
is a captivating and thought-provoking print created by James Gillray in 1807. This hand-coloured etching showcases the political satire and sharp wit for which Gillray was renowned. In this satirical masterpiece, Napoleon Bonaparte, depicted as a gardener, is shown planting his own family members as newly crowned heads of Europe. The image cleverly alludes to the French Emperor's ambition to establish his dynasty across the continent. Meanwhile, Lord Grenville's Ministry can be seen chopping down a royal oak tree symbolizing English monarchy. This represents their administration's assault on traditional institutions and values. Gillray's artwork serves as propaganda against Napoleon Bonaparte and his coalition government. It highlights themes of nepotism, destruction, and the abuse of power within dynastic rule. The artist brilliantly captures the political climate of the Napoleonic Wars era through this cartoon-like portrayal. With its detailed engravings and vibrant colors, "The New Dynasty" offers viewers an opportunity to reflect on the complexities of governance during that time. This print remains an important historical artifact that sheds light on both international politics and domestic affairs in early 19th-century Europe. Its enduring relevance makes it an invaluable piece in understanding how art can serve as a powerful medium for social commentary.
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