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Jacques Marie Gaston Onfroy de Breville dit JOB (1858-1931) - History of Belgium
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Jacques Marie Gaston Onfroy de Breville dit JOB (1858-1931) - History of Belgium
JLJ4640651 Jacques Marie Gaston Onfroy de Breville dit JOB (1858-1931) - History of Belgium: Jean Joseph Charlier (1794 - 1866) says the wooden leg points its piece of artillery against the Dutch troops masseated in the park of Brussels in September 1830, Private Collection by Job, pseudonym for Onfray de Breville, Jacques (1858-1931); Private Collection; (add.info.: Jacques Marie Gaston Onfroy de Breville dit JOB (1858-1931) - History of Belgium: Jean Joseph Charlier (1794 - 1866) says the wooden leg points its piece of artillery against the Dutch troops masseated in the park of Brussels in September 1830, Private Collection); Photo ePhoto Josse; French, out of copyright
Media ID 22854872
© Josse / Bridgeman Images
Brussels Flemish Region Neerlanders Public Garden War Of Independence Belgians Belgium Belgian Benelux Countries
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EDITORS COMMENTS
This print captures a significant moment in the history of Belgium. The photo showcases Jacques Marie Gaston Onfroy de Breville, known as JOB, and his artwork titled "History of Belgium". In this particular piece, JOB depicts Jean Joseph Charlier pointing a wooden leg towards Dutch troops assembled in the park of Brussels during September 1830. The image exudes a sense of tension and defiance as the wooden leg is positioned to aim an artillery piece at the Dutch forces. This symbolic representation highlights the bravery and determination of the Belgian people during their struggle for independence. JOB's pseudonym adds an air of mystery to this historical artwork. His attention to detail is evident in every stroke, capturing not only the physical surroundings but also conveying emotions felt during that tumultuous time. The photograph itself is beautifully composed, with intricate engravings visible on closer inspection. It serves as a reminder of Belgium's rich past and its fight for freedom against foreign oppressors. Displayed in private collections, this print offers viewers a glimpse into one artist's interpretation of an important event in Belgian history. Its presence evokes reflection on national identity, resilience, and unity amidst adversity.
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