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Reception and Music Room, c. 1901 (colour lithograph)
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Reception and Music Room, c. 1901 (colour lithograph)
991162 Reception and Music Room, c.1901 (colour lithograph) by Mackintosh, Charles Rennie (1868-1928) (after); 40.5x53.3 cm; Private Collection; (add.info.: Reception and Music Room. An illustration from a group of three portofolios entitled Meister der Innenkunst, published by Alex Koch (1902). Emil Hochdanz (1816-1885) after Charles Rennie Mackintosh (1868-1928). Colour lithograph. Designed circa 1901. 40.5 x 53.3cm. The designs were submitted to 1901 competition to design the House for a Lover of Art.); Photo eChristies Images; Scottish, out of copyright
Media ID 22742982
© Christie's Images / Bridgeman Images
1901 20th Century Decorative Arts Alex Koch Arched Architectural Feature Archway Artist German Bordered Capital Letter Charles Rennie Mackintosh Competing Competition Competitive Competitor Decorative Panel Emil Hochdanz Form Frame Geometric Geometrical German Art German Artist Glasgow Four Glasgow School Hochdanz House For A Lover Of Art Interior Design Jugendstil Language Lithographic Lithoprint Mackintosh Medium Group Medium Group Of Objects Meister Der Innenkunst Modern Style Mounted On Panel Music Room Nouveau Overlooking Panel Patterned Portfolio Prints Publication Publisher Reception Room Rennie Mackintosh Scottish Artist Scottish Artists Shape Shaped Spook School Stile Liberty Artist British British Artist
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EDITORS COMMENTS
This vibrant and captivating print showcases the "Reception and Music Room" designed by renowned artist Charles Rennie Mackintosh in 1901. The colour lithograph, measuring 40.5x53.3 cm, beautifully captures the intricate details of this early twentieth-century interior. The room is a stunning example of Mackintosh's unique style, characterized by geometric shapes and decorative panels. The large window floods the space with natural light, illuminating the artistry within. With no person present, the focus remains solely on the exquisite design elements. Originally created for a competition to design the House for a Lover of Art, these designs were later published in Meister der Innenkunst portfolios by Alex Koch in 1902. Emil Hochdanz skillfully reproduced Mackintosh's work through this colour lithograph. The composition features an arched view overlooking an art nouveau-inspired scene indoors. The German influence can be seen in its modern style and stile liberty aesthetic. This piece is part of Mackintosh's contribution to Glasgow Four movement or "Spook School" which sought to revolutionize Scottish art and design during that time. Mounted on panel and bordered with patterned illustrations, this print exemplifies both architectural features and interior decoration at their finest. It serves as a testament to British artists' talent during this period while also showcasing European influences. Overall, this print offers viewers a glimpse into one artist's vision for creating harmonious spaces that seamlessly blend beauty with functionality
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