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The Mocking of Christ (Christ as Man of Sorrows Mocked by a Soldier) (engraving)
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The Mocking of Christ (Christ as Man of Sorrows Mocked by a Soldier) (engraving)
3626420 The Mocking of Christ (Christ as Man of Sorrows Mocked by a Soldier) (engraving) by Durer or Duerer, Albrecht (1471-1528) (after); Private Collection; (add.info.: The Mocking of Christ (Christ as Man of Sorrows Mocked by a Soldier). Title piece of Albrecht Durers series of engravings The Large Passion. Illustration from The Early Italian, Teutonic and French Masters (Chatto and Windus, London, 1880). Digitally cleaned image.); © Look and Learn
Media ID 22984448
© Look and Learn / Bridgeman Images
Crown Of Thorns Looking Away Man Of Sorrows Mocked Mocking Passion Of Christ 16 16th Xvi Xvith Sixteenth Century Large Passion
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EDITORS COMMENTS
This print showcases Albrecht Durer's engraving titled "The Mocking of Christ (Christ as Man of Sorrows Mocked by a Soldier)". The image depicts a poignant moment from the biblical narrative, where Jesus is subjected to ridicule and humiliation. In this particular scene, a soldier gazes away indifferently while mocking Christ, who sits with an expression of sorrow and resignation. Created in the 16th century during the German Renaissance, this artwork exemplifies Durer's mastery in capturing emotion and detail. The crown of thorns adorning Christ's head serves as a powerful symbol of his suffering and sacrifice for humanity. This piece is part of Durer's renowned series called "The Large Passion" which delves into various episodes leading up to Jesus' crucifixion. Religion plays a central role in this engraving, reflecting the artist's deep Christian faith. It invites viewers to contemplate themes such as redemption, compassion, and the endurance of spiritual strength amidst adversity. As one explores this work further, it becomes evident that it represents not only religious devotion but also reflects broader human experiences. "The Mocking of Christ" continues to resonate today due to its timeless message and artistic brilliance. Its inclusion in publications like "The Early Italian, Teutonic and French Masters" attests to its enduring significance across centuries. Through digital restoration techniques employed on this image print, we can now appreciate every intricate detail with enhanced clarity. Bridgeman Images has preserved this remarkable artwork for future generations to admire and reflect upon its profound meaning within both historical context and contemporary society.
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