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The Prison, Magdala, 1868 (w / c)
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The Prison, Magdala, 1868 (w / c)
5929550 The Prison, Magdala, 1868 (w/c) by James, Francis (Frank) Cornelius (19th century); National Army Museum, London; (add.info.: The Prison, Magdala, 1868.
Watercolour by Captain Cornelius Francis James, Bombay Staff Corps, 1868.
The primary objective of the expedition to Abyssinia (1867-1868) was to secure the release of British hostages held by King Theodore. After his diplomatic overtures to the British for help against his Moslem enemies had been ignored (including a letter to Queen Victoria), the king imprisoned the British Consul, Captain Charles Cameron, along with several missionaries and other civilians. Lieutenant-General Sir Robert (later Field Marshal Lord) Napiers expeditionary force was subsequently despatched and advanced over 400 miles (640 km) of difficult country to the capital, Magdala, near to which the decisive actions of the campaign were fought in April 1868. On 9 April, the British repelled a massive attack by the ill-equipped Abyssinians, then routed the defending forces in just two hours the following day. British casualties were two killed and 18 wounded, while the Ethiopians lost 700 killed and 1, 400 wounded. The king released his hostages, but opted to commit suicide rather than be captured. In this view James has depicted the prison compound where the British hostages were kept.); © National Army Museum
Media ID 25138914
© National Army Museum / Bridgeman Images
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The Prison, Magdala, 1868
EDITORS COMMENTS
is a captivating watercolor print by Captain Cornelius Francis James that depicts the prison compound where British hostages were held during the Abyssinian expedition of 1867-1868. The primary objective of this expedition was to secure the release of British captives who had been imprisoned by King Theodore after his pleas for help against his enemies went unanswered. In this poignant artwork, James skillfully captures the desolation and confinement experienced by these prisoners. The composition showcases the stark walls and imposing gates of the prison compound, evoking a sense of isolation and despair. Through delicate brushstrokes and subtle use of color, he conveys both the physicality and emotional weight of captivity. The historical context adds depth to this powerful image. Lieutenant-General Sir Robert Napier's expeditionary force successfully advanced through treacherous terrain to reach Magdala, where decisive battles were fought in April 1868. Despite facing overwhelming odds, the British forces repelled attacks from ill-equipped Abyssinians before ultimately securing victory. James' portrayal serves as a testament to both human resilience and sacrifice. While casualties on the British side were relatively low, with only two killed and 18 wounded, hundreds lost their lives among their Ethiopian adversaries. Ultimately, King Theodore chose suicide over capture when faced with defeat. "The Prison, Magdala" offers viewers a glimpse into an important moment in history while also highlighting themes of imprisonment and liberation. It stands as a reminder of humanity's capacity for endurance in even the most challenging circumstances.
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