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The virgin worshipping the host. Painting by Jean Auguste Dominique Ingres (1780-1867)

The virgin worshipping the host. Painting by Jean Auguste Dominique Ingres (1780-1867)


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The virgin worshipping the host. Painting by Jean Auguste Dominique Ingres (1780-1867)

JLJ4664620 The virgin worshipping the host. Painting by Jean Auguste Dominique Ingres (1780-1867), 1854. Oil on canvas, diameter 1, 13 m. Paris, Musee d Orsay - The virgin adoring the host. Painting by Dominique Ingres (1780-1867), 1854. Oil on canvas, diameter 1.13 m. Orsay Museum, Paris by Ingres, Jean Auguste Dominique (1780-1867); Musee d Orsay, Paris, France; (add.info.: The virgin worshipping the host. Painting by Jean Auguste Dominique Ingres (1780-1867), 1854. Oil on canvas, diameter 1, 13 m. Paris, Musee d Orsay - The virgin adoring the host. Painting by Dominique Ingres (1780-1867), 1854. Oil on canvas, diameter 1.13 m. Orsay Museum, Paris); Photo ePhoto Josse; French, out of copyright

Media ID 23323014

© Josse / Bridgeman Images

Candle Candle Holder Circle Communion Eucharist Host


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The Virgin Worshipping the Host

EDITORS COMMENTS
is a captivating painting by Jean Auguste Dominique Ingres, created in 1854. This oil on canvas masterpiece measures an impressive diameter of 1.13 meters and can be found at the Musee d'Orsay in Paris. The painting depicts a serene scene of devotion as the Virgin Mary kneels before the Eucharistic host, her hands clasped in prayer. Surrounding her are angels, their delicate wings spread wide, creating a heavenly atmosphere. A candle holder illuminates the sacred moment, casting a warm glow on Mary's face. Ingres skillfully captures every detail with his meticulous brushwork and attention to light and shadow. The composition is harmonious and balanced, drawing our eyes towards Mary's reverent expression and emphasizing her spiritual connection to the divine. This artwork invites us to contemplate themes of faith, communion, and religious devotion. It serves as a reminder of the power of prayer and worship in connecting individuals with their beliefs. As we gaze upon this remarkable piece, we are transported back to 19th-century France when religion played an integral role in society. Ingres' work continues to inspire awe and admiration for its technical brilliance and profound spiritual resonance.

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