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Death and the Hypochondriac. 1827 (engraving)

Death and the Hypochondriac. 1827 (engraving)


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Death and the Hypochondriac. 1827 (engraving)

7233000 Death and the Hypochondriac. 1827 (engraving) by Dagley, Richard (c.1761-1841); Private Collection; (add.info.: Death and the Hypochondriac. The figure of Death, a spider with a human skull body, appears at the feet of a sickly man hallucinating in front of the fireplace. A sleeping potion and spoon lie on a table, and a Health Diary on the floor. Illustration drawn and engraved on steel by Richard Dagley from his own Deaths Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver.); © Florilegius

Media ID 24828098

© Florilegius / Bridgeman Images

Ailments Allegoric Allegories Alllegorical Figure Anguish Animal Skeleton Anxiety Anxious Concern Disease Diseases Epistles Illness Infected Infection Infectious Infectious Disease Infectious Diseases Infirmity Loneliness Lonely Maladies Malady Medical Supplies Sexually Transmitted Disease Sick Sickness Stds Stress Stressed Stressful Symbole Symbolical Representation Symbolised Symbolising Symbology Venereal Disease Asclepius Asklepieion Asklepios Bodies C European Economic Community C European Union Deaths Gents Litaerature Medical Science Medical Services Mortality Passed Away Physical Health Poems Symbols


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Death and the Hypochondriac

EDITORS COMMENTS
is a captivating engraving that delves into the depths of human anxiety and mortality. Created by Richard Dagley in 1827, this allegorical artwork depicts a sickly man hallucinating in front of a fireplace, while Death lurks at his feet in the form of a spider with a human skull body. The composition is rich with symbolism, as it portrays the hypochondriac's obsession with his own health. A sleeping potion and spoon lie on a nearby table, suggesting his desperate search for relief from imagined ailments. On the floor lies a Health Diary, representing his meticulous record-keeping and constant monitoring of symptoms. Dagley's intricate engravings bring to life the hypochondriac's inner turmoil and fear of death. The figure of Death itself serves as a haunting reminder that mortality is an inevitable part of life. Through this powerful imagery, Dagley explores themes of anxiety, concern, anguish, and stress. This 19th-century masterpiece not only showcases Dagley's skill as an illustrator but also reflects broader cultural anxieties surrounding health during this period. It invites viewers to contemplate their own fears and preoccupations with mortality while appreciating the artistry behind this thought-provoking piece. As we gaze upon "Death and the Hypochondriac" we are reminded that our lives are fleeting and fragile – urging us to embrace each moment fully before our encounter with Death arrives.

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