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Handle from a jar worked as a mother goddess, Early Dynastic III (baked clay)

Handle from a jar worked as a mother goddess, Early Dynastic III (baked clay)


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Handle from a jar worked as a mother goddess, Early Dynastic III (baked clay)

1216467 Handle from a jar worked as a mother goddess, Early Dynastic III (baked clay) by Mesopotamian; Ashmolean Museum, University of Oxford, UK; (add.info.: Handle from jar of type A worked as a mother goddess in snowman technique, buff ware.
); eAshmolean Museum; out of copyright

Media ID 22816918

© Ashmolean Museum / Bridgeman Images

Breasts Eyes Handle Human Form Iraq Iraqi Mesopotamian Mother Goddess


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EDITORS COMMENTS
This print showcases a remarkable artifact from the Early Dynastic III period in Mesopotamia. The image captures a handle from a jar that has been skillfully crafted into the form of a mother goddess. Made from baked clay, this ancient piece is now housed in the Ashmolean Museum at the University of Oxford in the UK. The handle's exquisite craftsmanship is evident, with intricate details depicting a human form, specifically that of a female figure. The artist employed the snowman technique on buff ware to create this stunning representation of divinity. The mother goddess is adorned with prominent breasts and mesmerizing eyes, symbolizing her nurturing and protective qualities. As we gaze upon this archaeological treasure, we are transported back to antiquity and gain insight into the rich cultural heritage of Iraq. This ceramic masterpiece serves as a testament to the advanced skills possessed by Mesopotamian artisans during this era. Through its delicate features and expert execution, this handle-turned-mother-goddess invites us to contemplate ancient beliefs and rituals surrounding femininity and spirituality. It reminds us of our shared human history and encourages appreciation for both artistic expression and archaeological discoveries. Bridgeman Images has beautifully captured this extraordinary artwork through their lens, allowing us to marvel at its beauty even if we cannot witness it firsthand.

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