Skip to main content

Human Form Collection

The human form, a timeless subject of fascination and artistic expression, has been depicted in various materials and styles throughout history

Background imageHuman Form Collection: Mankind (detail), 1927-28 (hoptonwood stone)

Mankind (detail), 1927-28 (hoptonwood stone)
862852 Mankind (detail), 1927-28 (hoptonwood stone) by Gill, Eric (1882-1940); Victoria & Albert Museum, London, UK; Photo © Stefano Baldini

Background imageHuman Form Collection: Nuna Spoon, from Burkina Faso (ivory)

Nuna Spoon, from Burkina Faso (ivory)
HSC193967 Nuna Spoon, from Burkina Faso (ivory) by African School; height:20 cm; Private Collection; (add.info.: handle represents supernatural being able to protect against poisoning;)

Background imageHuman Form Collection: Songye tribal statue (wood)

Songye tribal statue (wood)
938598 Songye tribal statue (wood) by African School; Private Collection

Background imageHuman Form Collection: Tribal Human Statue (metal)

Tribal Human Statue (metal)
938597 Tribal Human Statue (metal) by African School; height: 68 cm; Private Collection

Background imageHuman Form Collection: Spoon, Dan Culture, from Liberia or Ivory Coast (wood)

Spoon, Dan Culture, from Liberia or Ivory Coast (wood)
HSC193972 Spoon, Dan Culture, from Liberia or Ivory Coast (wood) by African School; height:46 cm; Private Collection; Photo © Heini Schneebeli

Background imageHuman Form Collection: Spring Night and Willow (oil on canvas)

Spring Night and Willow (oil on canvas)
741774 Spring Night and Willow (oil on canvas) by Astrup, Nikolai (1880-1928); Private Collection; (add.info.: Varnatt og seljekall); Photo © O. Vaering

Background imageHuman Form Collection: Idol, Anatolia (marble)

Idol, Anatolia (marble)
HSC257629 Idol, Anatolia (marble) by Early Bronze Age, (c.3300-2000 BC); height: 11.3 cm; Private Collection; Photo eHeini Schneebeli; out of copyright

Background imageHuman Form Collection: Handle from a jar worked as a mother goddess, Early Dynastic III (baked clay)

Handle from a jar worked as a mother goddess, Early Dynastic III (baked clay)
1216467 Handle from a jar worked as a mother goddess, Early Dynastic III (baked clay) by Mesopotamian; Ashmolean Museum, University of Oxford

Background imageHuman Form Collection: Cycladic Female Violin Idol, c. 2800 BC (marble)

Cycladic Female Violin Idol, c. 2800 BC (marble)
HSC185235 Cycladic Female Violin Idol, c.2800 BC (marble) by Greek School; height:11 cm; Private Collection; Photo eHeini Schneebeli; Greek, out of copyright

Background imageHuman Form Collection: Small Stone Bridge, 1988 (hopton wood stone) (see also 440312)

Small Stone Bridge, 1988 (hopton wood stone) (see also 440312)
LMG440311 Small Stone Bridge, 1988 (hopton wood stone) (see also 440312) by Williams, Glynn (b. 1939); 15x11.7x45 cm; Leeds Museums and Galleries (Leeds Art Gallery)

Background imageHuman Form Collection: The Witch and the Mandrake, 18th century (pencil & w / c on paper)

The Witch and the Mandrake, 18th century (pencil & w / c on paper)
AMO110730 The Witch and the Mandrake, 18th century (pencil & w/c on paper) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 42.8x54.5 cm; Ashmolean Museum, University of Oxford

Background imageHuman Form Collection: Agni, God of Fire, engraved by Charles Etienne Pierre (1785-1836) (colour litho)

Agni, God of Fire, engraved by Charles Etienne Pierre (1785-1836) (colour litho)
STC107465 Agni, God of Fire, engraved by Charles Etienne Pierre (1785-1836) (colour litho) by Bardel, Louis Thomas (1804-p.1841) (after); Private Collection; The Stapleton Collection; French

Background imageHuman Form Collection: Christ temptation devil wedding Cana Christ van den Duyvel versoght

Christ temptation devil wedding Cana Christ van den Duyvel versoght
Christ brought into temptation by the devil and the wedding at Cana Christ is van den Duyvel versoght / Christ changed water in wyn to Cana in Galilee (title on object)

Background imageHuman Form Collection: I saw vaporous contours human form 1896 Lithograph

I saw vaporous contours human form 1896 Lithograph
Artokoloro

Background imageHuman Form Collection: The Temptation of Christ, Hans Bol, ca. 1550 - ca. 1650

The Temptation of Christ, Hans Bol, ca. 1550 - ca. 1650

Background imageHuman Form Collection: Ramses II statue head

Ramses II statue head
Memphis, Egypt, North Africa, Africa

Background imageHuman Form Collection: Ramses II statue head

Ramses II statue head
Abu Simbel, Egypt, Africa

Background imageHuman Form Collection: The statues of Rameses II, Abu Simbel, Egypt

The statues of Rameses II, Abu Simbel, Egypt
Located just 40 km north of the border with Sudan is the temple of Abu Simbel which was constructed by Ramses II around 3000 years old

Background imageHuman Form Collection: Statue, Abbey Gardens, Tresco, Isles of Scilly, United Kingdom, Europe

Statue, Abbey Gardens, Tresco, Isles of Scilly, United Kingdom, Europe

Background imageHuman Form Collection: Plaza de Mayo, Buenos Aires, Argentina, South America

Plaza de Mayo, Buenos Aires, Argentina, South America

Background imageHuman Form Collection: Monument to Christopher Columbus, Buenos Aires, Argentina, South America

Monument to Christopher Columbus, Buenos Aires, Argentina, South America



For sale as Licensed Images

Choose your image, Select your licence and Download the media

The human form, a timeless subject of fascination and artistic expression, has been depicted in various materials and styles throughout history. From the detailed Mankind sculpture carved from Hoptonwood stone in 1927-28 to the delicate Nuna Spoon made of ivory from Burkina Faso, these works showcase the diversity and creativity of mankind. The Songye tribal statue crafted from wood captures the essence of tribal culture, while the Tribal Human Statue made of metal adds a modern twist to traditional art forms. The wooden Spoon from Dan Culture in Liberia or Ivory Coast exemplifies both functionality and beauty. In contrast, Spring Night and Willow painting on canvas portrays the human form through oil strokes that bring life to this serene scene. The Idol from Anatolia sculpted in marble reflects ancient beliefs and rituals surrounding divinity. Handle from a jar worked as a mother goddess during Early Dynastic III era showcases how even everyday objects were infused with spiritual significance. The Cycladic Female Violin Idol carved out of marble around 2800 BC represents an early example of figurative art. Moving forward in time, Small Stone Bridge created in 1988 using Hoptonwood stone demonstrates how contemporary artists continue to explore new ways to depict humanity's connection with nature. Meanwhile, The Witch and the Mandrake artwork executed with pencil & watercolor on paper transports us into an enchanting world filled with mystery. Finally, Agni - God of Fire engraved by Charles Etienne Pierre is a vivid lithograph that immortalizes this powerful deity. These diverse artworks remind us that throughout history, humans have sought to capture their own image through different mediums – be it stone or paint – expressing our shared experiences and aspirations for centuries untold.