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Saint Jerome in his study (San Gerolamo nello studio) - Fresco, 1480
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Saint Jerome in his study (San Gerolamo nello studio) - Fresco, 1480
LRI4353507 Saint Jerome in his study (San Gerolamo nello studio) - Fresco, 1480 by Ghirlandaio, Domenico (Domenico Bigordi) (1449-94); Church of Ognissanti, Florence, Italy; (add.info.: Saint Jerome in his study (San Gerolamo nello studio) - Fresco by Domenico Ghirlandaio (1449-1494), 1480. Firenze, Chiesa di Ognissanti); Luisa Ricciarini; Italian, out of copyright
Media ID 23723948
© Luisa Ricciarini / Bridgeman Images
Bible Book Candle Candle Holder Carpet Chaplet Glasses Inkwell Intellectual Loupe Office Open Book Pansy Saint Jerome Scissors Translation Quattrocento
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EDITORS COMMENTS
This print captures the essence of Domenico Ghirlandaio's masterpiece, "Saint Jerome in his study (San Gerolamo nello studio)". Painted as a fresco in 1480, this artwork resides within the Church of Ognissanti in Florence, Italy. The image showcases Saint Jerome engrossed in deep contemplation amidst his scholarly sanctuary. In this scene, we witness Saint Jerome surrounded by an array of intellectual tools and symbols. His piercing gaze is fixed upon an open book, highlighting his devotion to reading and knowledge. A pair of spectacles rests on the bridge of his nose, emphasizing his commitment to understanding ancient texts. The artist pays meticulous attention to detail; every element within the study has purpose and meaning. From the flickering candle holder illuminating the room to the inkwell and quill waiting patiently for their next use, each object contributes to a sense of laborious dedication. Ghirlandaio's brushstrokes bring life not only to Saint Jerome but also to the richly patterned carpet beneath him. This intricate design adds depth and texture while symbolizing prosperity and refinement. As we admire this remarkable piece through Luisa Ricciarini's lens, we are reminded that art transcends time. It allows us glimpses into historical moments like these – where religion intertwines with literature and scholarship flourishes under dim candlelight. Through this photograph, we can appreciate both Ghirlandaio's artistic genius and Ricci
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