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Cheyt Sing in his Eastern Dress, pub. 1786 (hand coloured engraving)

Cheyt Sing in his Eastern Dress, pub. 1786 (hand coloured engraving)


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Cheyt Sing in his Eastern Dress, pub. 1786 (hand coloured engraving)

2966793 Cheyt Sing in his Eastern Dress, pub. 1786 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info.: George III (1738 - 1820) in oriental dress, implying that his riches all came at the expense of Chait Singh, the Raja of Benares, who was deposed by Warren Hastings (1732-1818) after being made to give him a large sum of money;.); The Stapleton Collection; English, out of copyright

Media ID 22441914

© The Stapleton Collection / Bridgeman Images

Bribery Corruption Diamond Eastern Monarchs Raja Riches Royals Shawl Warren Hastings Gold Dust Jewels


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EDITORS COMMENTS
The captivating print titled "Cheyt Sing in his Eastern Dress" takes us back to the year 1786, when James Gillray skillfully hand-colored this engraving. The image portrays George III, the British monarch, dressed in opulent oriental attire. However, beneath the surface of grandeur lies a deeper political message. Gillray's artwork subtly suggests that King George III's immense wealth was acquired through questionable means at the expense of Chait Singh, the Raja of Benares. Singh was coerced by Warren Hastings into relinquishing a significant sum of money before being deposed from power. The cartoon-like depiction emphasizes this narrative with symbolic elements such as gold dust and diamonds adorning the king's clothing. This satirical piece not only comments on corruption within politics but also highlights Britain's colonial influence over India during that era. By dressing George III in Indian garb and portraying him as an exploitative figurehead, Gillray challenges notions of power and wealth distribution. Today, this print serves as a historical artifact capturing both artistic finesse and political commentary. It reminds us of the complex relationships between nations throughout history and encourages critical reflection on issues surrounding imperialism and economic exploitation. Displayed proudly in private collections worldwide, this hand-colored engraving continues to provoke thought-provoking discussions about past injustices while showcasing Gillray's mastery as an artist.

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