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Metal Print : Cheyt Sing in his Eastern Dress, pub. 1786 (hand coloured engraving)

Cheyt Sing in his Eastern Dress, pub. 1786 (hand coloured engraving)



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Cheyt Sing in his Eastern Dress, pub. 1786 (hand coloured engraving)

2966793 Cheyt Sing in his Eastern Dress, pub. 1786 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info.: George III (1738 - 1820) in oriental dress, implying that his riches all came at the expense of Chait Singh, the Raja of Benares, who was deposed by Warren Hastings (1732-1818) after being made to give him a large sum of money;.); The Stapleton Collection; English, out of copyright

Media ID 22441914

© The Stapleton Collection / Bridgeman Images

Bribery Corruption Diamond Eastern Monarchs Raja Riches Royals Shawl Warren Hastings Gold Dust Jewels


16"x20" (51x41cm) Metal Print

Bring a piece of historical art into your modern home with our Media Storehouse Metal Prints. This exquisite hand-colored engraving, titled "Cheyt Sing in his Eastern Dress," published in 1786, showcases the intriguing figure of Cheyt Sing in his Eastern attire, as depicted by the renowned English satirist James Gillray. This stunning work, which also features a young George III in oriental dress, is part of the extensive Bridgeman Images collection from Fine Art Finder. Our high-quality Metal Prints are not only visually striking but also durable, making them an excellent addition to any room in your house. Embrace the beauty of the past with our authentic and timeless prints.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > G > James Gillray

> Arts > Pop art > Satire > Satirical artwork

> Asia > India > Related Images

> Popular Themes > Money

> Popular Themes > Politics


EDITORS COMMENTS
The captivating print titled "Cheyt Sing in his Eastern Dress" takes us back to the year 1786, when James Gillray skillfully hand-colored this engraving. The image portrays George III, the British monarch, dressed in opulent oriental attire. However, beneath the surface of grandeur lies a deeper political message. Gillray's artwork subtly suggests that King George III's immense wealth was acquired through questionable means at the expense of Chait Singh, the Raja of Benares. Singh was coerced by Warren Hastings into relinquishing a significant sum of money before being deposed from power. The cartoon-like depiction emphasizes this narrative with symbolic elements such as gold dust and diamonds adorning the king's clothing. This satirical piece not only comments on corruption within politics but also highlights Britain's colonial influence over India during that era. By dressing George III in Indian garb and portraying him as an exploitative figurehead, Gillray challenges notions of power and wealth distribution. Today, this print serves as a historical artifact capturing both artistic finesse and political commentary. It reminds us of the complex relationships between nations throughout history and encourages critical reflection on issues surrounding imperialism and economic exploitation. Displayed proudly in private collections worldwide, this hand-colored engraving continues to provoke thought-provoking discussions about past injustices while showcasing Gillray's mastery as an artist.

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