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Principal Seats of War, 1672-1699; Treaty Adjustments, 1668-1699 (colour litho)
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Principal Seats of War, 1672-1699; Treaty Adjustments, 1668-1699 (colour litho)
6016381 Principal Seats of War, 1672-1699; Treaty Adjustments, 1668-1699 (colour litho) by Shepherd, William R. (1871-1934); Private Collection; (add.info.: Principal Seats of War, 1672-1699; Treaty Adjustments, 1668-1699. Illustration for Historical Atlas by William R Shepherd (3rd and revised edition, University of London Press, 1924).); © Look and Learn
Media ID 25158310
© Look and Learn / Bridgeman Images
Aix La Chapelle Atlas St Germain Treaties Mythological Figure Pagan Paganism Pagans Polytheism Polytheist
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This print showcases "Principal Seats of War, 1672-1699; Treaty Adjustments, 1668-1699" by William R. Shepherd. The artwork is a colour lithograph from the private collection and was featured in the Historical Atlas by Shepherd in 1924. The image depicts a detailed map of Europe during the period between 1672 and 1699, highlighting significant locations where major conflicts took place. It also includes annotations indicating treaty adjustments made between 1668 and 1699. This historical representation offers a fascinating insight into the geopolitical landscape of that era. Shepherd's meticulous attention to detail is evident as he masterfully captures not only the geographical features but also incorporates mythological figures into his composition. These mythological characters add an intriguing layer to the artwork, symbolizing various aspects of paganism and polytheism prevalent during those times. The print serves as both an educational tool for history enthusiasts and an artistic masterpiece that seamlessly blends cartography with mythology. Its vibrant colors bring life to this visual narrative, transporting viewers back in time to witness the political complexities and religious beliefs that shaped Europe during this tumultuous period. This remarkable piece invites us to explore not only the territorial shifts resulting from wars but also reflects upon how religion intertwined with politics throughout history. It stands as a testament to Shepherd's skillful craftsmanship and his ability to merge multiple disciplines into one captivating work of art.
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