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Metal Print : Principal Seats of War, 1672-1699; Treaty Adjustments, 1668-1699 (colour litho)
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Principal Seats of War, 1672-1699; Treaty Adjustments, 1668-1699 (colour litho)
6016381 Principal Seats of War, 1672-1699; Treaty Adjustments, 1668-1699 (colour litho) by Shepherd, William R. (1871-1934); Private Collection; (add.info.: Principal Seats of War, 1672-1699; Treaty Adjustments, 1668-1699. Illustration for Historical Atlas by William R Shepherd (3rd and revised edition, University of London Press, 1924).); © Look and Learn
Media ID 25158310
© Look and Learn / Bridgeman Images
Aix La Chapelle Atlas St Germain Treaties Mythological Figure Pagan Paganism Pagans Polytheism Polytheist
16"x24" (61x41cm) Metal Print
Bring historical artistry into your home with our Media Storehouse Metal Prints featuring Bridgeman Images' Principal Seats of War, 1672-1699; Treaty Adjustments, 1668-1699. This captivating color lithograph by William R. Shepherd (1871-1934) showcases intricate details of the principal seats of war during the late 17th century, along with significant treaty adjustments. Each Metal Print is meticulously crafted using high-quality materials and advanced printing techniques to bring out the rich colors and textures of this iconic work. Add an element of history and sophistication to any room with this stunning piece of art.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases "Principal Seats of War, 1672-1699; Treaty Adjustments, 1668-1699" by William R. Shepherd. The artwork is a colour lithograph from the private collection and was featured in the Historical Atlas by Shepherd in 1924. The image depicts a detailed map of Europe during the period between 1672 and 1699, highlighting significant locations where major conflicts took place. It also includes annotations indicating treaty adjustments made between 1668 and 1699. This historical representation offers a fascinating insight into the geopolitical landscape of that era. Shepherd's meticulous attention to detail is evident as he masterfully captures not only the geographical features but also incorporates mythological figures into his composition. These mythological characters add an intriguing layer to the artwork, symbolizing various aspects of paganism and polytheism prevalent during those times. The print serves as both an educational tool for history enthusiasts and an artistic masterpiece that seamlessly blends cartography with mythology. Its vibrant colors bring life to this visual narrative, transporting viewers back in time to witness the political complexities and religious beliefs that shaped Europe during this tumultuous period. This remarkable piece invites us to explore not only the territorial shifts resulting from wars but also reflects upon how religion intertwined with politics throughout history. It stands as a testament to Shepherd's skillful craftsmanship and his ability to merge multiple disciplines into one captivating work of art.
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