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The English traveller, in the shape of John Bull, looking on in horror at what the railway companies were planning for him. John Leech cartoon from Punch, London, 1848

The English traveller, in the shape of John Bull, looking on in horror at what the railway companies were planning for him. John Leech cartoon from Punch, London, 1848


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The English traveller, in the shape of John Bull, looking on in horror at what the railway companies were planning for him. John Leech cartoon from Punch, London, 1848

527866 The English traveller, in the shape of John Bull, looking on in horror at what the railway companies were planning for him. John Leech cartoon from Punch, London, 1848.; Universal History Archive/UIG

Media ID 38309990

© Universal History Archive/UIG / Bridgeman Images

1848 Bull Companies Horror John Leech Planning Punch Rail Shape


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> Arts > Artists > L > John Leech

> Arts > Pop art > Satire > Satirical artwork

> Europe > United Kingdom > England > London > Transport > Railway

> Europe > United Kingdom > England > Railways

> Europe > United Kingdom > Northern Ireland > Posters

> Europe > United Kingdom > Northern Ireland > Railways

> Europe > United Kingdom > Northern Ireland > Related Images

> Fine Art Finder > Temp Classification

> Popular Themes > Railway Posters

> Posters > Railway Posters


EDITORS COMMENTS
In this satirical cartoon from 1848, John Bull, the personification of England, is depicted as an English traveller looking on in horror at what the railway companies have planned for him. The artist, John Leech, captures the essence of the time when railways were rapidly expanding across Britain and changing the landscape of travel. John Bull's expression of shock and dismay reflects the concerns of many Britons during this period about the impact of industrialization and modernization on their way of life. The image serves as a scathing satire on the power and influence of railway companies in shaping society and transforming traditional modes of transportation. As John Bull stands in disbelief at what lies ahead on his journey, viewers are reminded of the tensions between progress and tradition that characterized 19th-century Britain. The allegorical nature of this cartoon highlights deeper social commentary on issues such as class struggle, urbanization, and technological advancements. Through Leech's clever depiction, we are transported back to a time when railways were not just means of transport but symbols of change and upheaval. This print serves as a reminder that history is often shaped by those who control transportation networks and infrastructure.

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