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Fine Art Print : Portrait of woman with umbrella near Ragusa

Portrait of woman with umbrella near Ragusa



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Portrait of woman with umbrella near Ragusa

Portrait of woman with umbrella near Ragusa Ragusa. Date of Photograph:09/1906

Monteverde, Aurelio
CAD-S-150017-0015

Media ID 33284910

© Alinari Archives, Florence

Cactus Fruit Bearing Prickly Pear Prickly Pear Tree Succulent


20"x16" (+3" Border) Fine Art Print

Experience the timeless beauty of the past with our exquisite Fine Art Print of "Portrait of a Woman with Umbrella near Ragusa" by Aurelio Monteverde from Alinari. Captured in 1906, this stunning portrait transports you to the picturesque streets of Ragusa with its enchanting subject and vibrant colors. Each print is meticulously crafted using the highest quality materials, ensuring a stunning and long-lasting addition to your home or office decor. Bring a touch of old-world charm into your space with this beautiful work of art.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 36.5cm x 50.8cm (14.4" x 20")

Estimated Product Size is 55.9cm x 66cm (22" x 26")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Cricetidae > Cactus Mouse

> Arts > Contemporary art > Landscapes > Portraits

> Arts > Contemporary art > Portraits > Landscape paintings

> Arts > Landscape paintings

> Arts > Portraits > Landscape paintings

> Arts > Street art graffiti > Portraits > Landscape paintings

> Europe > Italy > Sicily > Ragusa


EDITORS COMMENTS
In this photograph titled "Portrait of Woman with Umbrella near Ragusa" captured by Aurelio Monteverde in September 1906, we are transported to a serene landscape filled with natural beauty. The image showcases a striking female figure standing gracefully amidst the rugged terrain of Ragusa, Italy. The woman's elegant pose is enhanced by her delicate umbrella, which shields her from the sun's rays as she navigates through the arid surroundings. Her presence exudes an air of mystery and allure, leaving us curious about her story and connection to this enchanting place. As our gaze wanders beyond the subject, we are greeted by a lush display of cacti and succulent plants that thrive in this harsh environment. Among them stands a magnificent prickly pear tree adorned with plump fruits ready for harvest. This juxtaposition between resilience and fertility symbolizes nature's ability to flourish even in seemingly inhospitable conditions. Monteverde skillfully captures not only the physical features but also the essence of this picturesque landscape. His masterful composition draws attention to both the individual portrait and its harmonious integration within its natural surroundings. This timeless photograph serves as a testament to Monteverde's artistic vision and his ability to capture fleeting moments that transcend time. It invites us to reflect on our own relationship with nature while appreciating the inherent beauty found in every corner of our world. "Portrait of Woman with Umbrella near Ragusa" transports us back over a century ago, allowing us to witness an intimate moment frozen in time—a moment where humanity intertwines seamlessly with Mother Nature herself.

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