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Fine Art Print : Democratic Levelling: Alliance a la Francaise, or The Union of the Coronet

Democratic Levelling: Alliance a la Francaise, or The Union of the Coronet



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Democratic Levelling: Alliance a la Francaise, or The Union of the Coronet

NCO193103 Democratic Levelling: Alliance a la Francaise, or The Union of the Coronet and the Clyster-Pipe, published by Hannah Humphrey in 1796 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: the marriage of Lucy Rachel Stanhope to an apothecary, Thomas Taylor; daughter of Lord Charles Stanhope (1753-1816); hypocritical resentment of common son-in-law; Charles James Fox (1749-1806) depicted as the priest; ); English, out of copyright

Media ID 22599538

© Bridgeman Images

1751 1816 Bonnet Rouge Bride Clerical Robes Disgrace Elopement Enema Feathers Gown Groom Hanoverian Hypocrite Jacobin Liberty Cap Lower Class Marrying Nuptial Opposition Picture Plumes Revolutionary Richard Brinsley Sheridan Sacrement Social Satire Society Beauty Veil Clyster Eloped


20"x16" (+3" Border) Fine Art Print

Experience the captivating allure of history with Media Storehouse's Fine Art Prints. This exquisite piece, "Democratic Levelling: Alliance a la Francaise, or The Union of the Coronet" by James Gillray, showcases the political satire of the late 18th century. Originally published by Hannah Humphrey in 1796 as a hand-coloured etching, this print offers a fascinating glimpse into the social and political climate of the time. With intricate details and vibrant colours, this fine art print is not only a beautiful addition to any home or office, but also a thought-provoking conversation starter. Bring history to life with Media Storehouse's Fine Art Prints.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 35.5cm x 50.8cm (14" x 20")

Estimated Product Size is 55.9cm x 66cm (22" x 26")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > C > James Charles

> Arts > Artists > G > James Gillray

> Arts > Artists > H > Thomas Hand

> Arts > Pop art > Satire > Satirical artwork

> Arts > Portraits

> Arts > Street art graffiti > Portraits > Fine art

> Asia > Georgia > Related Images

> Historic > French Revolution portraits > Historical French Revolution paintings

> Historic > French Revolution portraits > Revolutionary art and portraiture

> Historic > French Revolution portraits


EDITORS COMMENTS
This hand-coloured etching titled "Democratic Levelling: Alliance a la Francaise, or The Union of the Coronet and the Clyster-Pipe" is a satirical masterpiece by James Gillray. Published in 1796, it offers a biting commentary on the marriage between Lucy Rachel Stanhope and Thomas Taylor. The image depicts an elaborate wedding ceremony with various symbolic elements. Charles James Fox, a prominent Whig leader, is portrayed as the priest officiating the union. This choice highlights the hypocritical resentment towards Taylor's lower-class background despite his marriage to Lord Charles Stanhope's daughter. Gillray cleverly incorporates revolutionary imagery into this scene of social satire. A female sans-culotte wearing a liberty cap gives away the bride while holding a guillotine in her other hand, symbolizing both support for French revolution sympathizers and disdain for aristocracy. The groom is shown reading Thomas Paine's influential book "Rights of Man" further emphasizing his radical leanings. Meanwhile, society beauty Lucy Rachel Stanhope wears an elegant gown and veil but stands beside her husband at their makeshift shrine of equality. Through this caricatured portrayal, Gillray exposes societal hypocrisy surrounding class distinctions during this period. The artist skillfully uses humor to critique those who claim to champion liberty but fail to practice what they preach when it comes to matters of love and marriage. Overall, this print captures not only political tensions but also reflects on themes such as social inequality and personal freedom during one of history's most transformative periods – making it an invaluable piece within our collection at New College, Oxford.

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