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Fine Art Print : Interior of the Pantheon after the Tiber broke its banks, 1833 (etching with brown wash)

Interior of the Pantheon after the Tiber broke its banks, 1833 (etching with brown wash)



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Interior of the Pantheon after the Tiber broke its banks, 1833 (etching with brown wash)

STC384818 Interior of the Pantheon after the Tiber broke its banks, 1833 (etching with brown wash) by Tofanelli, Agostino (1770-1834); Private Collection; (add.info.: Interieur du Pantheon dans les debordements du Tibre; Engraved by Pietro Fontana (1762-1837); from Recueil des vues au bister dessinees et lavees par Callimachus, Souvenirs d antiquites et curiosites de Rome et des environs, Deblayements et reparations du Pape Pie VII ; Original was built by Agrippa (c.63-12 BC) in 27 BC to commemorate the victory of Actium; Rebuilt by Hadrian (16-138) c.126; Consecrated as a Christian church in 609; The dome is the worlds largest unreinforced concrete dome; Santa Maria Rotonda; ); The Stapleton Collection; Italian, out of copyright

Media ID 22924948

© The Stapleton Collection / Bridgeman Images

Alarm Coffered Coffers Flood Flooding Floods Oculus Rotunda


20"x16" (+3" Border) Fine Art Print

Experience the power and passion of history with our exquisite fine art print of "Interior of the Pantheon after the Tiber Broke Its Banks, 1833" by Agostino Tofanelli. This captivating etching with brown wash, from the esteemed Bridgeman Images collection at Fine Art Finder, transports you back in time to witness the aftermath of the Tiber's historic flood. Marvel at the intricate details of the ancient Pantheon's interior as the waters recede, revealing the enduring beauty and resilience of this iconic structure. Add this stunning masterpiece to your collection and bring a piece of history into your home.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 35.8cm x 50.8cm (14.1" x 20")

Estimated Product Size is 55.9cm x 66cm (22" x 26")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Agostino Tofanelli

> Fine Art Finder > Italy

> Architecture > Churches

> Architecture > Country > Italy > Related Images

> Architecture > Country > Italy > Rome

> Architecture > Doors

> Architecture > Styles > Roman Architecture

> Arts > Artists > R > Roman Roman

> Europe > Italy > Lazio > Rome


EDITORS COMMENTS
This etching with brown wash, titled "Interior of the Pantheon after the Tiber broke its banks, 1833" transports us back to a moment of both awe and alarm. The image depicts the aftermath of a devastating flood that engulfed the magnificent Pantheon in Rome. The artist, Agostino Tofanelli, skillfully captures the grandeur and architectural splendor of this ancient Roman temple-turned-church. As we gaze upon the scene, our eyes are drawn to the impressive coffered dome, renowned as the world's largest unreinforced concrete dome. Its intricate design is accentuated by Pietro Fontana's masterful engraving technique. However, what truly sets this print apart is its depiction of nature's power unleashed. The flooded interior reveals water gushing through open doors and swirling around columns—a stark contrast to its usual serene atmosphere. We can almost feel ourselves standing amidst this watery chaos. Despite being built over two thousand years ago by Agrippa and later rebuilt by Hadrian, even these enduring structures could not withstand Mother Nature's wrath. This print serves as a reminder that no matter how mighty human creations may be, they are ultimately at nature's mercy. As we contemplate this stunning artwork from Bridgeman Images' Stapleton Collection, it prompts us to reflect on our own vulnerability in an ever-changing world while marveling at humanity's ability to create lasting beauty amidst adversity.

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