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Fine Art Print : Bird s-Eye View of Defences of the Sherpore Cantonment, showing Positions of the Troops in Garrison (engraving)
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Bird s-Eye View of Defences of the Sherpore Cantonment, showing Positions of the Troops in Garrison (engraving)
1613890 Bird s-Eye View of Defences of the Sherpore Cantonment, showing Positions of the Troops in Garrison (engraving) by English School, (19th century); Private Collection; (add.info.: Bird s-Eye View of Defences of the Sherpore Cantonment, showing Positions of the Troops in Garrison. Illustration for The Illustrated London News, 28 February 1880.
English School (19th Century)); Look and Learn / Illustrated Papers Collection
Media ID 22555172
© Look and Learn / Illustrated Papers Collection / Bridgeman Images
9th Lancers Afghanistan Artillery Birds Eye View Defences Garrison Guides Mountain Battery Positions Sappers Second Anglo Afghan War Showing
21"x14" (+3" Border) Fine Art Print
Step into the past with our exquisite Fine Art Print of 'Bird's-Eye View of Defences of the Sherpore Cantonment, showing Positions of the Troops in Garrison.' This captivating engraving, created by the English School, offers a unique perspective of the historic fortifications of Sherpore Cantonment. Delve into the intricacies of military architecture and strategy as you explore the meticulously detailed positions of the troops. A stunning addition to any home or office, this fine art print is a testament to the rich history and cultural heritage it represents. Bring a piece of the past into your present with Media Storehouse's Fine Art Prints.
21x14 image printed on 27x20 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 53.3cm x 27cm (21" x 10.6")
Estimated Product Size is 68.6cm x 50.8cm (27" x 20")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This engraving, titled "Bird's-Eye View of Defences of the Sherpore Cantonment, showing Positions of the Troops in Garrison" takes us back to a significant moment in history. Created by an English School artist during the 19th century, this print offers a glimpse into the second Anglo-Afghan War. The scene depicts the strategic military stronghold known as Sherpore Cantonment, with its intricate network of defenses and troop positions meticulously illustrated. The topography is beautifully captured from a bird's-eye perspective, allowing viewers to appreciate both the natural surroundings and man-made structures that played crucial roles in this conflict. Amongst these defences stand various regiments such as the 28th Native Infantry, 23rd Punjab Pioneers, and 14th Bengal Light Infantry. The troops are shown alongside artillery units, sappers, guides, and even cavalry forces like the 92nd and 67th Cavalry. This comprehensive representation showcases not only their presence but also highlights their strategic placements within this complex terrain. As we delve into this historical artwork further, it becomes evident that every detail has been carefully crafted to provide insight into Lieutenant Generals Guard's operations during this tumultuous period in Afghanistan's history. It serves as a testament to both military strategy and artistic skill. Preserved within private collections today but originally published in The Illustrated London News on February 28th, 1880; this engraving continues to captivate audiences with its rich historical significance
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