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Fine Art Print : Medieval beggar types: soap eater (lunatic imposter) from the era of Elizabeth I, Tom of Bedlam from the era of Edward VI, and disabled vagabond with performing dog from the era of Henry VIII
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Medieval beggar types: soap eater (lunatic imposter) from the era of Elizabeth I, Tom of Bedlam from the era of Edward VI, and disabled vagabond with performing dog from the era of Henry VIII
FLO5000783 Medieval beggar types: soap eater (lunatic imposter) from the era of Elizabeth I, Tom of Bedlam from the era of Edward VI, and disabled vagabond with performing dog from the era of Henry VIII. Copperplate etching drawn and engraved by John Thomas Smith from his Vagabondiana, Anecdotes of Mendicant Wanderers through the Streets of London, 1817.; (add.info.: Medieval beggar types: soap eater (lunatic imposter) from the era of Elizabeth I, Tom of Bedlam from the era of Edward VI, and disabled vagabond with performing dog from the era of Henry VIII. Copperplate etching drawn and engraved by John Thomas Smith from his Vagabondiana, Anecdotes of Mendicant Wanderers through the Streets of London, 1817.); © Florilegius
Media ID 38506876
© © Florilegius / Bridgeman Images
Anecdotes Of Mendicant Wanderers Beggar Begging Crutches Disabled Drifter Eau Forte Etching Homeless Homelessness House Of Tudor Imposter John Thomas Smith Lunatic Mendiant Mendicant Notoriety Pauvrete Penury Performer Poors Precarious Precariousness Sans Abrisme Semi Homeless Through The Streets Of London Tramp Tudor Dynasty Tudor Period Tudor Times Tudors Dynasty Vagabond Vagabondiana Copperplate Regency
20"x16" (+3" Border) Fine Art Print
"Step back in time with our Fine Art Print from Bridgeman Images, featuring a fascinating collection of medieval beggar types. This striking image showcases three intriguing characters: a soap eater (lunatic imposter) from the era of Elizabeth I, Tom of Bedlam from the era of Edward VI, and a disabled vagabond with performing dog from the era of Henry VIII. Each figure is meticulously rendered in fine detail, offering a glimpse into the lives and stories of those who lived on the fringes of society during this tumultuous period. Perfect for art lovers and history enthusiasts alike, this print is sure to captivate and inspire."
20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 55.9cm x 66cm (22" x 26")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print captures the essence of Medieval beggar types from different eras in English history. The first figure depicted is a soap eater, a lunatic imposter from the era of Elizabeth I, showcasing the desperation and eccentricity often associated with those living on the fringes of society during this time.
Next, we see Tom of Bedlam from the era of Edward VI, a well-known character who represented madness and wandering in Tudor England. His disheveled appearance and haunted expression speak volumes about the hardships faced by those deemed mentally ill or unstable in a society that struggled to understand and care for them.
Lastly, we have a disabled vagabond with his performing dog from the era of Henry VIII. This poignant image highlights both physical disability and companionship as key elements in the lives of marginalized individuals during this tumultuous period.
Through John Thomas Smith's detailed etching, we are transported back to 19th-century London streets where these beggars roamed, each with their own story to tell. Their presence serves as a reminder of the harsh realities faced by those on society's margins, shedding light on issues such as poverty, homelessness, and precariousness that continue to plague communities today.
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