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Fine Art Print : Storming of Ghuznee. The 17th Regt. Entering the Citadel
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Storming of Ghuznee. The 17th Regt. Entering the Citadel
5929491 A Storming of Ghuznee. The 17th Regt. Entering the Citadel, July 23rdA 1839 (colour litho) by Wingate, Lieutenant Thomas (fl.1833-42) (after); National Army Museum, London; (add.info.: A Storming of Ghuznee. The 17th Regt. Entering the Citadel, July 23rdA 1839.
Lithograph from a volume of 14 coloured lithographs The Storming of Ghuznee and Kelat by W Taylor after Lieutenant Thomas Wingate, 2nd QueenAs Royal Regiment, 1839 (c).
After forcing the Bolan Pass and capturing Kandahar without a fight, Sir John KeaneAs Army of the Indus advanced on the formidable Ghazni fortress. Protected by thick, 60-feet high walls it presented a major problem for the British who lacked heavy artillery. They were only able to capture it because Mohan Lal, a Kashmiri interpreter, spy and assistant to the political officer Captain Sir Alexander Burnes, managed to discover that one of the gates was poorly defended.); eNational Army Museum; British, out of copyright
Media ID 22324458
© National Army Museum / Bridgeman Images
21"x14" (+3" Border) Fine Art Print
Experience the rich history of military conflict with our exquisite Fine Art Print of "The Storming of Ghuznee. The 17th Regt. Entering the Citadel" by Thomas Wingate. This stunning 19th-century color lithograph, inspired by Lieutenant Wingate's original work, captures the intensity and bravery of the British Army as they storm the citadel in Afghanistan on July 23, 1839. Add a touch of history and elegance to your home or office with this beautiful fine art print from Media Storehouse and Fine Art Finder. Each print is carefully reproduced to preserve the intricate details and vibrant colors of the original artwork. Order yours today and bring a piece of history into your space.
21x14 image printed on 27x20 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 51.3cm x 35.5cm (20.2" x 14")
Estimated Product Size is 68.6cm x 50.8cm (27" x 20")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
The captivating print titled "Storming of Ghuznee. The 17th Regt. Entering the Citadel" depicts a significant moment in history, specifically the events that unfolded on July 23rd, 1839. Created by Lieutenant Thomas Wingate and reproduced as a color lithograph, this artwork is housed at the National Army Museum in London. The image showcases the daring assault on the Ghazni fortress by Sir John Keane's Army of the Indus during their campaign in Afghanistan. With its imposing walls standing at an impressive height of 60 feet, capturing this stronghold posed a formidable challenge for the British forces who were lacking heavy artillery. However, through sheer determination and strategic planning, they managed to overcome this obstacle. Mohan Lal, a Kashmiri interpreter and spy working alongside Captain Sir Alexander Burnes, played a crucial role in their success. He discovered that one of the gates was poorly defended and shared this vital information with his comrades. In this print, we witness members of the esteemed 17th Regiment triumphantly entering through that very gate into Ghazni's citadel after breaching its defenses. This historic event marked a turning point in British military operations during their Afghan campaign. This artwork serves as both an artistic representation and historical documentation of an important chapter in military history—a testament to bravery and resourcefulness amidst challenging circumstances.
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