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Fine Art Print : Designs for Majolica and Enamelled Tiles for Maw & Co. Benthall Works, Brosley

Designs for Majolica and Enamelled Tiles for Maw & Co. Benthall Works, Brosley



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Designs for Majolica and Enamelled Tiles for Maw & Co. Benthall Works, Brosley

STC221860 Designs for Majolica and Enamelled Tiles for Maw & Co. Benthall Works, Brosley, Shropshire (colour litho) by English School, (19th century); Private Collection; (add.info.: used for wall linings, dado rails; ); The Stapleton Collection; English, out of copyright

Media ID 23353342

© The Stapleton Collection / Bridgeman Images

Enamel Fireplaces Friezes Tile Trade Catalogue


21"x14" (+3" Border) Fine Art Print

Discover the timeless beauty of the Media Storehouse range of Fine Art Prints featuring designs for Majolica and Enamelled Tiles from Maw & Co. Benthall Works, Brosley. These exquisite prints, showcasing the vibrant colors and intricate patterns of English School's lithographs (STC221860), transport you back in time to the rich artistic heritage of Brosley, Shropshire. Each print is meticulously reproduced to preserve the original details and textures, making it a stunning addition to any home or office space. Bring a touch of history and elegance to your walls with Media Storehouse's Fine Art Prints.

21x14 image printed on 27x20 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 35.5cm x 53.3cm (14" x 21")

Estimated Product Size is 50.8cm x 68.6cm (20" x 27")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > English School

> Fine Art Finder > Artists > Etienne Esperance Bouchardy

> Fine Art Finder > Ceramics: British

> Europe > United Kingdom > England > Shropshire > Benthall

> Europe > United Kingdom > England > Shropshire > Related Images

> Europe > United Kingdom > England > Shropshire > Stapleton


EDITORS COMMENTS
This print showcases the intricate and timeless designs for Majolica and Enamelled Tiles created by Maw & Co. Benthall Works in Brosley, Shropshire during the 19th century. With its vibrant colors and exquisite details, this piece of art is a testament to the creativity and craftsmanship of English School artists. These stunning tiles were not only used for wall linings but also for dado rails, adding a touch of elegance to any interior space. The design features string courses, enamel work, friezes, patterns, fireplaces, and more - all meticulously crafted to enhance the beauty of Victorian homes. The image captures a snapshot from a trade catalogue that served as an inspiration for architects and designers seeking unique elements to adorn their projects. It offers a glimpse into the rich history of interior decoration during this era. Displayed in private collections today, this artwork has stood the test of time and continues to inspire contemporary designers with its timeless appeal. Its presence evokes nostalgia while reminding us of the importance placed on aesthetics in Victorian society. With its fusion of artistry and functionality, this print serves as both an artistic masterpiece and a historical artifact – showcasing how tile design played an integral role in shaping interiors during one of England's most influential periods.

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