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Fine Art Print : The Peasants Revenge, plate 17 from The Miseries and Misfortunes of War, engraved by Israel Henriet (c. 1590-1661) 1633 (engraving) (b / w photo)
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The Peasants Revenge, plate 17 from The Miseries and Misfortunes of War, engraved by Israel Henriet (c. 1590-1661) 1633 (engraving) (b / w photo)
XIR172411 The Peasants Revenge, plate 17 from The Miseries and Misfortunes of War, engraved by Israel Henriet (c.1590-1661) 1633 (engraving) (b/w photo) by Callot, Jacques (1592-1635) (after); Grosjean Collection, Paris, France; (add.info.: The Miseries and the Misfortunes of War ; )
Media ID 25458322
© Bridgeman Images
Anarchy Atrocities Atrocity Club Clubbing Flail Forest Areas Forest Land Forest Trees Forestry French Propaganda Green Forestry Horror Inhumanity Misery Misfortune Pine Forest Pitchfork Primaeval Forest Slaughter Spruce Forest Stabbing Stock Of Trees Terror Thirty Years War
20"x20" (+3" Border) Fine Art Print
Experience the raw power and passion of The Peasants Revenge, a captivating masterpiece from Israel Henriet's The Miseries and Misfortunes of War series. This intricately detailed engraving, created in 1633, showcases the determination and courage of the peasants as they rise against their oppressors. The stark contrast between light and shadow, as captured in this black and white photograph from Bridgeman Images, adds depth and drama to the scene. Bring this historic work of art into your home or office as a Fine Art Print from Media Storehouse, and let its timeless story inspire and captivate you.
21x7 image printed on 27x13 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 40cm x 17.7cm (15.7" x 7")
Estimated Product Size is 68.6cm x 33cm (27" x 13")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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The Peasants Revenge, plate 17 from The Miseries and Misfortunes of War
EDITORS COMMENTS
is a powerful and haunting image that captures the brutality and chaos of war. Engraved by Israel Henriet in 1633, this print showcases the work of Jacques Callot, depicting a scene of slaughter and violence during the Thirty Years War. In this scene, we witness peasants attacking soldiers with pitchforks, flails, and clubs in an act of rebellion against their oppressors. The mob-like crowd embodies anarchy as they inflict horror upon their enemies. Death looms over the forested backdrop as misery hangs heavy in the air. The engraving serves as a stark reminder of the atrocities committed during times of conflict. It exposes the inhumanity that can arise when people are driven to desperation by war's misfortune. Each figure depicted represents both victim and aggressor, blurring the lines between right and wrong. This artwork also carries political undertones as it was created as French propaganda during a time when France sought to gain power through military conquests. It aims to evoke terror within its viewers while highlighting the horrors faced by ordinary people caught up in war's relentless grip. "The Peasants Revenge" stands not only as a historical document but also as a timeless symbol of human suffering amidst warfare. Its depiction of combat serves as a chilling reminder that even amidst nature's beauty lies man-made destruction – forever etched into our collective memory.
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