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Fine Art Print : Major Cavagnari and Sirdars, Jellalabad Durbar group, 1879 (b / w photo)

Major Cavagnari and Sirdars, Jellalabad Durbar group, 1879 (b  /  w photo)



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Major Cavagnari and Sirdars, Jellalabad Durbar group, 1879 (b / w photo)

5924755 A Major Cavagnari and Sirdars, Jellalabad Durbar groupA, 1879 (b/w photo) by Burke, John (fl.1878-79); National Army Museum, London; (add.info.: A Major Cavagnari and Sirdars, Jellalabad Durbar groupA, 1879.
Photograph by John Burke, 2nd Afghan War (1878-1880), 1879.
Following the capture of Fort Ali Masjid on 21 November 1878 and the forcing of the Khyber Pass, Lieutenant-General Sir Sam BrowneAs Peshawar Valley Field Force had occupied Jalalabad, 70 miles east of Kabul, on 20 December 1878. The photographer John Burke accompanied the army to Jalalabad and took a number of pictures there as the British waited throughout the early months of 1879 for the new Amir, Yakub Khan, to accept their peace terms. Cavagnari met with the local tribal leaders in an attempt to win their support for a treaty.
From an album of 100 photographs by John Burke, 1878 circa.); eNational Army Museum; British, out of copyright

Media ID 22568122

© National Army Museum / Bridgeman Images

Durbar Special Event


21"x14" (+3" Border) Fine Art Print

Step into history with this captivating black and white photograph from the Media Storehouse range of Fine Art Prints. Depicting Major Cavagnari and the Sirdars of Jellalabad at the Durbar of 1879, this iconic image by John Burke transports you back in time to the British Raj in Afghanistan. A must-have for history enthusiasts and art collectors alike, this fine art print brings a piece of the past into your home or office.

21x14 image printed on 27x20 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 53.3cm x 35.5cm (21" x 14")

Estimated Product Size is 68.6cm x 50.8cm (27" x 20")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > John Burke

> Arts > Artists > F > John Field

> Arts > Contemporary art > Photography > Portraits

> Arts > Contemporary art > Portraits > Portrait photography

> Arts > Street art graffiti > Portraits > Portrait photography

> Asia > Afghanistan > Jalalabad

> Asia > Afghanistan > Kabul

> Europe > United Kingdom > England > London > Museums > British Museum

> Europe > United Kingdom > England > London > Museums > National Army Museum

> Europe > United Kingdom > England > London > Politics > John Major

> Europe > United Kingdom > England > London > Sights > British Museum


EDITORS COMMENTS
The print titled "Major Cavagnari and Sirdars, Jellalabad Durbar group, 1879" captures a significant moment in history during the Second Afghan War. Taken by photographer John Burke, this image showcases Major Cavagnari alongside local tribal leaders at the Jellalabad Durbar. In 1878, following the capture of Fort Ali Masjid and the forcing of the Khyber Pass, Lieutenant-General Sir Sam Browne's Peshawar Valley Field Force occupied Jalalabad. As they awaited Yakub Khan's acceptance of their peace terms, Major Cavagnari took it upon himself to meet with the influential tribal leaders in an effort to secure their support for a treaty. This photograph serves as a testament to Major Cavagnari's diplomatic efforts during this critical time. The composition highlights his commanding presence amidst a group of respected Sirdars (tribal chiefs), symbolizing his role as a bridge between British forces and local leadership. Preserved by the National Army Museum in London, this historical artifact offers us a glimpse into an era marked by political negotiations and cultural exchanges. It reminds us of the complexities involved in maintaining peace during times of conflict. Through its timeless monochrome aesthetic, this print invites viewers to reflect on both past events and present-day challenges surrounding diplomacy and international relations.

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