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Fine Art Print : Jahangir Preferring a Sufi Shaikh to Kings, illustration from the St
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Jahangir Preferring a Sufi Shaikh to Kings, illustration from the St
1074062 Jahangir Preferring a Sufi Shaikh to Kings, illustration from the St. Petersburg Album, c.1615-18 (w/c, ink & gold on paper)
by Bichtir (fl. 1620); 48x33 cm; Freer Gallery of Art, Smithsonian Institution, USA; (add.info.: Around 1615 Jahangirs artists begin to create allegorical portraits with symbolic references. This painting asserts that Jahangir favours the spiritual over the worldly. He hands a book, the most respected of objects in both Islam and the Mughal court, to a Sufi shaykh (a religious scholar). Below (and therefore implicitly less important than) the shaykh stand an Ottoman sultan and King James I of England. Bichtirs self-portrait in the lower left corner conveys the respect that Jahangir accorded to painters. Nur-ud-din Mohammad Salim, known by his imperial name Jahangir (1569-1627), was the fourth Mughal Emperor of India who ruled from 1605 until his death in 1627. (1569-1627) margins 1747-48); eFreer Slacker Gallery; Freer Gallery of Art, Smithsonian Institution; Indian, out of copyright
Media ID 22506278
© Freer Slacker Gallery Freer Gallery of Art, Smithsonian Institution / Bridgeman Images
Album Dynasty English King Enthroned Jahangir Mughal Pedestal Petersburg Regal Regalia Respect Reverence Sage Sheikh Stylised Sufi Preferring Shaikh
20"x16" (+3" Border) Fine Art Print
Experience the timeless beauty and rich cultural heritage of the Mughal Empire with our exquisite Fine Art Print of Jahangir Preferring a Sufi Shaikh to Kings. This stunning illustration, taken from the St. Petersburg Album, showcases the reverence of Mughal Emperor Jahangir towards a Sufi Shaikh, highlighting the spiritual significance of his reign. Bridgeman Images from Fine Art Finder proudly presents this masterpiece by Bichtir, a renowned artist of the Mughal school, in meticulously detailed, high-quality prints. Bring the elegance and sophistication of Mughal art into your home or office with this captivating addition to your collection.
20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 35.9cm x 50.8cm (14.1" x 20")
Estimated Product Size is 55.9cm x 66cm (22" x 26")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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The captivating print titled "Jahangir Preferring a Sufi Shaikh to Kings" captures the essence of spiritual devotion and the power of faith. Created by Bichtir in the early 17th century, this illustration from the St. Petersburg Album showcases Jahangir, the fourth Mughal Emperor of India, demonstrating his preference for matters of spirituality over worldly affairs. In this symbolic artwork, Jahangir is depicted handing a book to a Sufi shaykh, emphasizing his reverence for knowledge and religious scholars. The book holds immense significance in both Islam and Mughal court culture, representing wisdom and enlightenment. Positioned below the revered shaykh are an Ottoman sultan and King James I of England, subtly highlighting their inferiority compared to spiritual leaders. This painting conveys Jahangir's belief that true power lies not in political authority but in one's connection with divinity. Notably, Bichtir includes his self-portrait in the lower left corner as an expression of respect accorded to painters by Jahangir himself. This inclusion signifies how artists were valued within Mughal society during that era. With its intricate details rendered through watercolor, ink, and gold on paper, this artwork offers viewers a glimpse into Jahangir's mindset as he navigated between temporal rule and spiritual introspection. Housed at the Freer Gallery of Art within Smithsonian Institution in Washington D. C. , this masterpiece continues to inspire contemplation about the balance between secular power and transcendent truths throughout history.
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