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Fine Art Print : Applying powder to neck (Shin Bijin), 1897. Creator: Chikanobu, Toyohara (Yoshu) (1838-1912)

Applying powder to neck (Shin Bijin), 1897. Creator: Chikanobu, Toyohara (Yoshu) (1838-1912)



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Applying powder to neck (Shin Bijin), 1897. Creator: Chikanobu, Toyohara (Yoshu) (1838-1912)

Applying powder to neck (Shin Bijin), 1897. Private Collection

Heritage Images features heritage image collections

Media ID 36308233

© Fine Art Images/Heritage Images

1897 Colour Woodcut Cosmetics Far East Fragrance Japanese Art Make Up Makeup Perfumes The Oriental Arts Chikanobu


21"x14" (+3" Border) Fine Art Print

Experience the rich cultural heritage of Meiji-era Japan with this exquisite fine art print, "Applying Powder to Neck (Shin Bijin)," 1897, by renowned artist Chikanobu, Toyohara (Yoshu) (1838-1912). This stunning work of art captures the essence of Japanese beauty and elegance as a woman gracefully applies powder to her neck. The intricate details and vibrant colors bring the traditional Ukiyo-e style to life, making it a beautiful addition to any home or office. This museum-quality print is taken from a private collection and is now available as a fine art print through Media Storehouse. Preserve the beauty of the past with this timeless piece of art.

21x14 image printed on 27x20 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 35.5cm x 53.3cm (14" x 21")

Estimated Product Size is 50.8cm x 68.6cm (20" x 27")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
Applying Powder to Neck" is a captivating color woodcut print created by the renowned Japanese artist Toyohara Chikanobu (1838-1912), also known as Yoshu Chikanobu, in 1897. This exquisite work of art is a testament to the rich cultural traditions of the Far East, particularly the intricate world of cosmetics and fragrances in Japan during the late Meiji period. The print depicts a beautifully adorned woman, her elegant neck bared, as she leans forward to apply powder to her skin. The artist masterfully captures the delicate moment, with the woman's graceful posture and the gentle expression on her face. The scene is set against a backdrop of a serene garden, with a fragrant bouquet of flowers adding to the sensory experience. The use of vibrant colors and intricate detailing is characteristic of the ukiyo-e style, a genre of Japanese art that flourished during the Edo period. The woman's kimono is adorned with intricate patterns and delicate embroidery, while her long, flowing hair is styled in an elegant chignon. The powder container and brush she uses are also finely detailed, adding to the overall sense of refinement and elegance. The application of powder was an essential part of the daily beauty routine for Japanese women during this time. Powder, made from rice bran or other natural ingredients, was used to cover the skin and provide a smooth, even complexion. The use of fragrant powders and perfumes was also popular, adding to the sensory experience of the beauty ritual. This stunning print, "Applying Powder to Neck" by Chikanobu, is a window into the rich cultural traditions of Japan and the intricate world of cosmetics and fragrances in the late Meiji period. It is a beautiful example of the fine art of ukiyo-e and a reminder of the enduring allure of the Orient.

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