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Fine Art Print : Dites donc, Ravignard, si nos femmes nous voyaient!... 19th century. Creator: Honore Daumier
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Dites donc, Ravignard, si nos femmes nous voyaient!... 19th century. Creator: Honore Daumier
Dites donc, Ravignard, si nos femmes nous voyaient!... 19th century. Les bons bourgeois'. Well, Ravignard, if our wives could see us! it must be said that we are famously bad examples
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Media ID 36291174
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Alcohol Beer Billiard Cue Billiards Daumier Honore Daumier Honore Victorin Drinking Funny Glasses H Daumier Honore Daumier Honore Victorin Daumier Liquor Lithographic Public House Tavern Wine Lithotint Parody Satirical
20"x16" (+3" Border) Fine Art Print
Discover the wit and satire of 19th-century French artist Honore Daumier with this exquisite fine art print, "Dites donc, Ravignard, si nos femmes nous voyaient!..." (Say what you will, Ravignard, if our wives could see us!). This iconic work, titled "Les bons bourgeois" (The Good Bourgeoisie), showcases Daumier's keen observation of human nature and his ability to poke fun at the hypocrisy and double standards of society. With intricate details and vivid colors, this Heritage Images print brings the timeless charm of Daumier's art into your home or office. A must-have for art enthusiasts and collectors, this fine art print is a captivating addition to any decor.
20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 55.9cm x 66cm (22" x 26")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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Dites donc, Ravignard, si nos femmes nous voyaient!
EDITORS COMMENTS
translates to "Well, Ravignard, if our wives could see us!" in English. This phrase is spoken by the chorus in a popular French operetta of the same name, penned by Adolphe Jaime and Hippolyte Moncel in 1851. The operetta satirically portrays the double lives men lead in society versus in their private spaces, particularly in the context of drinking and carousing. In this 19th century lithograph by Honore Daumier, the renowned French artist and caricaturist, we see a group of "bons bourgeois" or "good bourgeois" men, engrossed in their leisurely pursuits at a tavern. The scene depicts a lively pub atmosphere, with men playing billiards, drinking beer, and laughing it up. One man, Ravignard, is shown taking a sip from a glass, while another leans over the billiard table, intently focusing on his shot. The men are dressed in the fashion of the time, with some wearing bowler hats and others donning waistcoats and cravats. The black and white palette of the lithograph adds to the mood of the scene, creating a stark contrast between the light and dark areas. The use of strong lines and bold shapes is characteristic of Daumier's distinctive style. The title of the work serves as a commentary on the hypocrisy of societal expectations and the contrasting realities of men's public and private lives. The men in the image appear carefree and uninhibited, but the implication is that they would need to hide this side of themselves from their wives and families. This lithograph is a testament to the power of satire and the enduring relevance of the themes it explores. It is a humorous and insightful look into the lives of men in the 19th century, and continues to resonate with audiences today. Whether viewed in an art gallery or art centre, this work is a valuable addition to the heritage of French art and culture.
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