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Fine Art Print : Gratitude, 1871

Gratitude, 1871



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Gratitude, 1871

Gratitude, 1871. The vagrant exclaims And they Ain t half Buttered! I could a done as well if I d Gone up the Lane to the Union! The ingratitude of the poor or the charity given is illustrated in this cartoon. It was believed that by offering charity, the poor were actively pauperised and became more and more demanding and reliant upon handouts, and less willing to work. From Punch, or the London Charivari, February 18, 1871

Heritage Images features heritage image collections

Media ID 14831510

© The Print Collector / Heritage-Images

Charity Charles Samuel Charles Samuel Keene Heritage Image Partnership Homeless Homelessness Keene Ragged Vagrant Ingratitude Ungrateful


20"x16" (+3" Border) Fine Art Print

Experience the timeless beauty of Charles Samuel Keene's Gratitude, 1871, from the Media Storehouse Fine Art Prints collection. This captivating work, sourced from Heritage Images, depicts a heartfelt moment of gratitude from an unexpected source. The vagrant's expression of contentment and surprise as he discovers a fortunate find is sure to resonate with viewers. Bring this exquisite piece of art into your home and let it inspire a sense of appreciation and gratitude in your daily life. Order your Media Storehouse Fine Art Print of Gratitude, 1871 today and add a touch of history and emotion to your living space.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 66cm x 55.9cm (26" x 22")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > L > Samuel Lane

> Arts > Artists > W > Charles White

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Europe > United Kingdom > England > London > Towns > Welling

> Europe > United Kingdom > England > London > Weather


EDITORS COMMENTS
This print, titled "Gratitude, 1871" by Charles Samuel Keene, offers a thought-provoking glimpse into the concept of poverty and charity in the 19th century. The image portrays a ragged vagrant standing in the snow-covered streets, his face etched with despair. With biting satire, he exclaims, "And they Ain't half Buttered! I could have done as well if I'd Gone up the Lane to the Union!". This cartoon illustrates the ingratitude of the poor or their perceived lack thereof when receiving charity. During this era, it was widely believed that offering assistance to those in need only perpetuated their reliance on handouts rather than encouraging them to work. The artist highlights this sentiment through his caricatured portrayal of homelessness and destitution. As winter's icy grip tightens its hold on society, Keene's engraving serves as a stark reminder of the hardships faced by marginalized individuals. The monochrome composition adds an air of melancholy to this wintry scene while emphasizing societal contrasts between wealth and poverty. Through intricate detailing and masterful strokes, Keene captures both physical deprivation and emotional desolation within a single frame. "Gratitude, 1871" stands as a testament to Charles Samuel Keene's artistic prowess in capturing social commentary through visual storytelling. It invites viewers to reflect upon notions of gratitude and compassion while shedding light on historical perspectives surrounding poverty relief efforts during that time period.

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