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Fine Art Print : The Loving Cup, 1872. Artist: Joseph Swain

The Loving Cup, 1872. Artist: Joseph Swain



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The Loving Cup, 1872. Artist: Joseph Swain

The Loving Cup, 1872. Mr Bull shares a Loving Cup with Colombia. This cartoon relates to the ongoing Alabama dispute, brewing since the end of the American Civil War. Eventually, the matter was settled by arbitration in Geneva. Representatives from Italy, Brazil, Switzerland, Britain and the US were unanimous in finding Britain liable for damages caused by the Alabama. Claims relating to the Florida and the Shenandoah were also settled. The US was awarded the sum of $15, 500, 000 (£ 3, 100, 000) in full and final settlement. This was considerably less than the £ 10, 000, 000 requested by the US. John Bull hopes that the matter is now finally concluded and that both countries can put it behind them. From Punch, or the London Charivari, September 28, 1872

Heritage Images features heritage image collections

Media ID 14831606

© The Print Collector / Heritage-Images

Agreement Alabama Columbia Dispute Foreign Affairs Foreign Policy Heritage Image Partnership John Bull John Tenniel Joseph Swain Peace Settlement Sir John Tenniel Swain Tenniel Allegorical Figure American Civil War


20"x16" (+3" Border) Fine Art Print

Experience the rich history and wit of the past with our exquisite fine art print of "The Loving Cup" by Joseph Swain, from Heritage Images. This captivating 1872 artwork depicts a humorous moment between Mr. Bull and Colombia, reflecting the ongoing Alabama dispute following the American Civil War. Add a touch of history and charm to your home or office with this stunning fine art print from Media Storehouse's collection. Each print is meticulously produced using premium materials and techniques to ensure the highest quality and authenticity. Bring a piece of the past into your present and create a timeless conversation starter with this remarkable artwork.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 55.9cm x 66cm (22" x 26")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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EDITORS COMMENTS
In this print titled "The Loving Cup, 1872" we witness a significant moment in history as Mr Bull and Colombia share a Loving Cup. This powerful cartoon is deeply intertwined with the long-standing Alabama dispute that has been brewing since the end of the American Civil War. After years of tension, the matter was finally resolved through arbitration in Geneva. Representatives from Italy, Brazil, Switzerland, Britain, and the United States unanimously found Britain liable for damages caused by the Alabama. The settlement also included claims relating to the Florida and Shenandoah. To put an end to this prolonged conflict, the US was awarded $15,500,000 (£3,1000,000) as full and final settlement – significantly less than their initial request of £10 million. John Bull fervently hopes that this resolution will mark a conclusive conclusion to these disputes between both nations so they can move forward together. This monochrome image captures not only historical significance but also symbolizes concepts such as peace and foreign affairs. It showcases allegorical figures representing America's resilience during its war-torn past while highlighting British involvement through ships like Alabama. As we delve into this 19th-century masterpiece by Joseph Swain from Punch magazine (or London Charivari), it serves as a reminder of how diplomacy can ultimately prevail over conflicts rooted in politics and foreign policies.

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