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Fine Art Print : Rimes de joie, 1881. Creator: Félicien Rops

Rimes de joie, 1881. Creator: Félicien Rops



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Rimes de joie, 1881. Creator: Félicien Rops

Rimes de joie, 1881. Series: Rimes de joie, frontispiece

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Media ID 36363858

© Heritage Art/Heritage Images

1880s Amorini Belgian Cherubim Felicien Joseph Victor Rops Félicien Rops Felicien Victor Joseph Rops Flanders Belgium Europe Frontispiece Joyful Joyous Rops Felicien Rops Felicien Joseph Victor Satyr Angelic Cherubs Putti


21"x14" (+3" Border) Fine Art Print

Experience the captivating allure of Félicien Rops' "Rimes de joie" (Jests of Joy), a masterpiece from 1881 now available as a Fine Art Print from Media Storehouse. This exquisite piece, part of Rops' eponymous series, showcases the renowned Belgian artist's distinctive style and mastery of the etching technique. The intricate details and rich, inky contrasts bring the whimsical and enchanting world of "Rimes de joie" to life, making this print an essential addition to any art collection. Embrace the charm and mystery of this timeless work, and let its beauty inspire you for years to come.

21x14 image printed on 27x20 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 33cm x 53.3cm (13" x 21")

Estimated Product Size is 50.8cm x 68.6cm (20" x 27")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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> Arts > Artists > R > Felicien Rops

> Arts > Literature

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Europe > Belgium > Posters

> Europe > Belgium > Related Images


Rimes de Joie

EDITORS COMMENTS
is a captivating etching by the Belgian artist Félicien Rops, created in 1881 as the frontispiece for a collection of poems by the same name. This stunning work of art is a testament to the artist's mastery of the medium and his exploration of mythological themes. The image features a group of cherubs and putti, those mischievous and joyful creatures of mythology, gathered around a seated woman. She is depicted in a state of blissful contentment, her naked form adorned with flowers and her eyes closed in pleasure. Surrounding her are cherubs, some playfully touching her, while others dance and frolic, their tiny wings outstretched. A satyr, a half-human, half-animal creature, peeks in from the side, adding an element of the wild and untamed to the scene. The contrast between the woman's serene beauty and the joyful chaos of the cherubs creates a sense of harmony and balance. The black and white medium of etching adds to the timeless quality of the image, transporting us back to the 19th century and the world of Flemish art. This print, now housed in the Los Angeles County Museum of Art, is a reminder of the rich artistic heritage of Europe and the enduring power of mythology to inspire and delight. Félicien Rops, a master of the etching technique, expertly captures the essence of joy and the beauty of the human form in this exquisite work of art. The image invites us to contemplate the simple pleasures of life and the enduring power of art to bring joy and beauty to our world. Whether viewed as a work of literature or as a standalone piece of art, "Rimes de Joie" continues to captivate and inspire audiences today.

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