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Fine Art Print : The Ruined Cities of Anuradhapura. Ruanwella Dagoba, Elephant Platform, c1890, (1910). Artist: Alfred William Amandus Plate

The Ruined Cities of Anuradhapura. Ruanwella Dagoba, Elephant Platform, c1890, (1910). Artist: Alfred William Amandus Plate



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The Ruined Cities of Anuradhapura. Ruanwella Dagoba, Elephant Platform, c1890, (1910). Artist: Alfred William Amandus Plate

The Ruined Cities of Anuradhapura. Ruanwella Dagoba, Elephant Platform, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

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Media ID 14984422

© The Print Collector

Alfred William Amandus Alfred William Amandus Plate Anuradhapura Archaeological Ceylon Dagoba Dais Hundred Best Views Of Ceylon Overgrown Plate Plate Ltd Platform Sri Lanka Stupa Tope


20"x16" (+3" Border) Fine Art Print

Step back in time with our exquisite Fine Art Print of The Ruined Cities of Anuradhapura, featuring the Ruanwella Dagoba and Elephant Platform. Captured by renowned artist Alfred William Amandus in the late 19th century, this stunning image is taken from 'The Hundred Best Views of Ceylon'. Immerse yourself in the rich history and culture of Sri Lanka with this beautiful, museum-quality print. A must-have for art collectors, history enthusiasts, and those who appreciate the beauty of the past.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 50.8cm x 36.3cm (20" x 14.3")

Estimated Product Size is 66cm x 55.9cm (26" x 22")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Fishes > T > Tope

> Animals > Mammals > Asian Elephant

> Animals > Mammals > Elephantidae > Asian Elephant

> Architecture > Religious

> Architecture > Temples

> Arts > Artists > D > Alfred > Related Images

> Arts > Artists > W > William White

> Arts > Literature

> Asia > Sri Lanka > Colombo

> Asia > Sri Lanka > Kandy


EDITORS COMMENTS
This print captures the ethereal beauty of the ruined cities of Anuradhapura in Sri Lanka. Taken by artist Alfred William Amandus Plate, this particular image showcases the Ruanwella Dagoba and Elephant Platform, dating back to the late 19th century. The photograph is part of a larger collection titled "The Hundred Best Views of Ceylon" published in 1910 by Plate Ltd. The intricate architecture and religious significance of these ancient structures are evident as they stand tall amidst overgrown vegetation, creating a mesmerizing contrast between nature's reclamation and human craftsmanship. Anuradhapura was once a thriving city that served as an important center for Buddhism. Its archaeological sites hold immense historical value, offering glimpses into Sri Lanka's rich cultural heritage. The dagoba featured in this print stands as a testament to the devotion and architectural prowess of its builders. As we gaze upon this monochrome vista, we are transported back to a time when these ruins were bustling with life and spiritual fervor. Through artistry and careful composition, Plate has immortalized these remnants of an ancient civilization for generations to come. This print serves not only as a visual treat but also as an invitation to explore the wonders hidden within Anuradhapura's archaeological treasures. It reminds us that even in ruin, there is beauty waiting to be discovered – a poignant reminder of our connection to history and the importance of preserving our shared heritage.

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