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Fine Art Print : Giant clam, Tridacna gigas Vulnerable

Giant clam, Tridacna gigas Vulnerable



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Giant clam, Tridacna gigas Vulnerable

Giant clam, Tridacna gigas. Vulnerable.. Illustration drawn and engraved by Richard Polydore Nodder. Handcolored copperplate engraving from George Shaw and Frederick Nodders The Naturalists Miscellany, London, 1800

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 14218633

© Florilegius / Mary Evans

Fredericknodder Georgeshaw Naturalhistory Richardpolydorenodder Thenaturalistsmiscellany Vulnerable


20"x16" (+3" Border) Fine Art Print

Discover the breathtaking beauty of the underwater world with our exquisite selection of Fine Art Prints from Media Storehouse. This captivating print features the Giant Clam, Tridacna gigas, a vulnerable and awe-inspiring marine creature. Drawn and engraved by the skilled hand of Richard Polydore Nodder, this 18th-century handcolored copperplate engraving brings the intricate details of this magnificent mollusk to life. Add a touch of natural wonder to your home or office with this timeless work of art, now available through Media Storehouse in partnership with Mary Evans Prints Online.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 55.9cm x 66cm (22" x 26")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Mollusks > Clam

> Arts > Artists > E > Richard Evans

> Europe > United Kingdom > England > London > Related Images


EDITORS COMMENTS
This exquisite handcolored copperplate engraving depicts the Giant Clam, Tridacna gigas, a vulnerable and awe-inspiring mollusk that has captivated the imagination of naturalists and artists for centuries. The image, drawn and engraved by the skilled hands of Richard Polydore Nodder, was published in George Shaw and Frederick Nodder's The Naturalist's Miscellany in London, 1800. Tridacna gigas, also known as the Great Chama or the Giant Clam, is the largest living clam species, with records of specimens reaching over 1 meter in length and weighing up to 200 kg. These bivalves are found in the Indo-Pacific region, primarily in shallow waters and lagoons. Their large size and distinctive appearance make them a popular subject in natural history illustrations. The Giant Clam is a filter feeder, using its powerful siphons to draw water in and filter out plankton and other small organisms for food. They are also known for their ability to change color and pattern to blend in with their surroundings, making them difficult to spot by predators. Despite their impressive size and intriguing characteristics, the Giant Clam faces numerous threats, including habitat destruction, overexploitation for food and the shell trade, and climate change. The International Union for Conservation of Nature (IUCN) has classified Tridacna gigas as 'Vulnerable' on the Red List of Threatened Species. This beautiful engraving not only showcases the natural beauty of the Giant Clam but also serves as a reminder of the importance of preserving these fascinating creatures and their habitats for future generations to enjoy.

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