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Fine Art Print : Love and Beauty by Ernest Procter
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Love and Beauty by Ernest Procter
Love and Beauty by Ernest Procter (1886-1935) as exhibited at the Royal Academy exhibition in 1931. The figures of Venus and Cupid float above London. Procter was an English designer, illustrator and painter, and husband to artist Dod Procter. He was actively involved with the Newlyn School. Date: C.1931
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14245382
© Illustrated London News Ltd/Mary Evans
1931 Academy Cupid Ernest Exhibited Figures Mar17 Metropolis Mythological Mythology Procter Venus Myth
20"x16" (+3" Border) Fine Art Print
Experience the timeless beauty and romance of Ernest Procter's iconic painting, "Love and Beauty." This exquisite Fine Art Print from Media Storehouse showcases Procter's masterful depiction of Venus and Cupid, gracefully floating above the bustling city of London as they embrace in a tender moment. Originally exhibited at the Royal Academy in 1931, this captivating work of art is now available as a high-quality print, perfect for adding elegance and charm to any space. Bring the magic of love and artistry into your home with this stunning, Rights Managed print from Mary Evans Prints Online.
20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 37.2cm x 50.8cm (14.6" x 20")
Estimated Product Size is 55.9cm x 66cm (22" x 26")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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Love and Beauty,
EDITORS COMMENTS
a captivating masterpiece by English artist Ernest Procter, graced the halls of the Royal Academy exhibition in 1931. This evocative painting, a testament to Procter's artistic prowess, depicts the ethereal figures of Venus and Cupid floating serenely above the bustling metropolis of London. Procter, an accomplished designer, illustrator, and painter, was an integral part of the Newlyn School, a group of artists known for their naturalistic approach to painting. The mythological scene unfolds against the backdrop of the 1930s London skyline, with its iconic landmarks such as the Tower Bridge and St. Paul's Cathedral visible beneath the dreamlike clouds. The juxtaposition of the ancient mythological figures and the modern urban landscape adds an intriguing layer of depth to the painting. Venus, the goddess of love and beauty, is depicted as a radiant vision in flowing robes, her arms outstretched as if to bestow her blessings upon the city below. Her son, Cupid, the god of desire, accompanies her, his mischievous smile hinting at the power of love to transform and captivate. Procter's use of color and light in "Love and Beauty" is nothing short of mesmerizing. The golden hues of Venus' robes contrast beautifully with the cool blues and grays of the London skyline, creating a harmonious balance between the divine and the mundane. The delicate brushstrokes and intricate details bring the figures to life, making it an unforgettable work of art that continues to inspire and captivate viewers to this day. Ernest Procter's "Love and Beauty" is more than just a painting; it is a timeless exploration of the power of love and the beauty that lies within us all. This iconic work of art, exhibited at the Royal Academy in 1931, remains a cherished reminder of the enduring allure of mythology and the transformative power of art.
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