Fine Art Print : Misery loves company; - but they hope soon to be out of it
Fine Art Prints from Mary Evans Picture Library
Misery loves company; - but they hope soon to be out of it
Misery loves company; - but they hope soon to be out of it. Illustration shows John Bull standing up to his knees in a morass labeled Boer War $16, 000, 000 yearly and Uncle Sam stepping through a similar morass labeled Philippine War $80, 000, 000 yearly.. Date 1901 March 20
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 7365692
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10606165
20"x16" (+3" Border) Fine Art Print
Elevate your home or office decor with a captivating piece from our Media Storehouse Fine Art Prints collection. This evocative illustration, titled "Misery loves company; - but they hope soon to be out of it," depicts John Bull wading through a morass labeled "Boer War $16,000." The poignant scene, sourced from Mary Evans Prints Online, is a poignant reminder of history and the hope for better days. Add this Rights Managed print to your space and let the timeless storytelling of this fine art piece inspire and uplift.
20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 55.9cm x 66cm (22" x 26")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
Misery Loves Company: John Bull and Uncle Sam Wading Through the Financial Mire of War Expenditures (Misery loves company; - but they hope soon to be out of it. Illustration from Puck Magazine, March 20, 1901) This powerful and poignant illustration from Puck Magazine, published on March 20, 1901, captures the collective sense of financial burden and despair felt by two influential world powers, John Bull from the United Kingdom and Uncle Sam from the United States, as they wade through the morass of their respective war expenditures during the Boer War and the Philippine War. The image, titled "Misery loves company: but they hope soon to be out of it," depicts John Bull and Uncle Sam, both up to their knees in deep, murky waters labeled with the staggering costs of their ongoing military conflicts. The Boer War, which began in 1899, was estimated to cost John Bull £16,000,000 per year, while the Philippine War, which started in 1899, was projected to cost Uncle Sam $80,000,000 per year. The title of the illustration, "Misery loves company," is a playful reference to the age-old adage that misery enjoys the company of others. However, in this context, the phrase takes on a more somber meaning, as both John Bull and Uncle Sam find solace in their shared financial struggles. Despite the despair and financial hardship depicted in the illustration, there is a glimmer of hope. Both figures are shown stepping forward, suggesting that they are determined to move past their current predicament and find a way out of the morass. The illustration serves as a poignant reminder of the human capacity for resilience and the enduring bond between nations facing similar challenges. This and historically significant illustration is a testament to the power of visual storytelling and the enduring relevance of Puck Magazine's satirical commentary on the political and social issues of its time.
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