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Fine Art Print : Cartoon, The Boy For Our Money
Fine Art Prints from Mary Evans Picture Library
Cartoon, The Boy For Our Money
Cartoon, The Boy For Our Money -- a satirical comment on the relative financial abilities of William Gladstone and Benjamin Disraeli. John Bull considers Gladstone a safer pair of hands for taking care of the Budget, reflecting a large majority for Gladstone in a parliamentary vote. Date: 1860
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Media ID 23358538
© Mary Evans Picture Library
1860 Benjamin Comment Conservative Depiction Disraeli Finance Financial Gladstone Liberal Politicians Progressive Satire Satirical Tory Treasury
20"x16" (+3" Border) Fine Art Print
Introducing the captivating addition to your home decor from Media Storehouse's Fine Art Prints collection. This satirical cartoon, titled "The Boy For Our Money" by Rights Managed from Mary Evans Prints Online, offers a fascinating glimpse into British political history. Depicting a humorous contrast between the financial abilities of William Gladstone and Benjamin Disraeli, this print is a must-have for history enthusiasts and art collectors alike. With its intricate details and vivid colors, this fine art print adds a touch of wit and charm to any room. Bring a piece of the past into your present and elevate your interior design with Media Storehouse's exquisite Fine Art Prints.
20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 37.6cm x 50.8cm (14.8" x 20")
Estimated Product Size is 55.9cm x 66cm (22" x 26")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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The Boy For Our Money
EDITORS COMMENTS
: A Satirical Commentary on the Financial Abilities of William Gladstone and Benjamin Disraeli in Victorian Britain, 1860 This political cartoon, titled "The Boy For Our Money," published in 1860, offers a satirical commentary on the relative financial abilities of two prominent Victorian-era politicians: William Ewart Gladstone and Benjamin Disraeli. The cartoon, a reflection of the political climate during the 1860s, depicts John Bull, a symbol of British national identity, considering which politician to entrust with the nation's budget. Gladstone, portrayed as an older, more experienced statesman, is shown wearing a suit and holding a balance scale, symbolizing his perceived ability to manage the country's finances responsibly. A large majority of parliamentary votes is shown behind him, emphasizing his strong support among the political establishment. On the other hand, Disraeli, represented as a young, impetuous boy, is seen with a moneybag and a cane, symbolizing his perceived lack of financial responsibility. The caption beneath the cartoon reads, "The Boy for our Money," highlighting the widespread perception that Disraeli was not a reliable choice for managing the treasury. This satirical cartoon reflects the political discourse of the time, with the Liberal Party, led by Gladstone, advocating for progressive policies and fiscal responsibility, while the Conservative Party, led by Disraeli, was perceived as more financially reckless. The cartoon's enduring appeal lies in its ability to encapsulate the political debates and tensions of the era, making it an invaluable historical document. This image is a testament to the power of satire as a tool for political commentary and engagement, offering a unique perspective on the political landscape of Victorian Britain during the 19th century.
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