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Fine Art Print : Marchioness of Londonderry at Londonderry House
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Marchioness of Londonderry at Londonderry House
Edith Vane-Tempest-Stewart, Marchioness of Londonderry DBE (1878 - 1959), noted society hostess, and, during the First World War director of the Womens Legion (originally the WVR - Womens Volunteer Reserve), taking an interest in the Military Cooking Section. The magnificent Londonderry House in Park Lane was turned into a military hospital during the war, as were two of Lord Londonderrys country seats. Lady Londonderry was formerly Edith Helen Chaplin and married Charles Vane-Tempest-Stewart, Viscount Castlereagh in 1899. Pictured on the front cover of The Tatler, in the gowns and jewels she wore at the opening of Parliament. She is pictured in Londonderry House, standing in front of a Thomas Lawrence portrait of Robert, Viscount Castlereagh, later 2nd Marquess of Londonderry, wearing a diamond tiara, earrings, and stomacher which are heirlooms of the Londonderry family. Date: 1948
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Media ID 23273704
© Illustrated London News Ltd/Mary Evans
Aristocracy Aristocrat Chaplin Diamond Diamonds Edith Jewels Lawrence Londonderry Marchioness Marquess Oct19 Peerage Regal Splendour Stately Stewart Tempest Tiara Vane
20"x16" (+3" Border) Fine Art Print
Introducing the exquisite Marchioness of Londonderry print from our Media Storehouse Fine Art Prints collection. This captivating image, sourced from Mary Evans Prints Online, showcases the elegant and inspiring figure of Edith Vane-Tempest-Stewart, Marchioness of Londonderry (1878-1959). A prominent society hostess and an influential figure during the First World War, she served as the director of the Women's Legion. This stunning black and white portrait encapsulates the grace, strength, and resilience of this remarkable woman. Add this timeless piece to your home or office decor and let the story of the Marchioness of Londonderry inspire and captivate you every day.
20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 36.9cm x 50.8cm (14.5" x 20")
Estimated Product Size is 55.9cm x 66cm (22" x 26")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
In this striking photograph, Edith Helen Chaplin, Marchioness of Londonderry, is depicted in the grandeur of Londonderry House in Park Lane, London. The Marchioness, formerly Lady Edith Chaplin, had married Charles Vane-Tempest-Stewart, Viscount Castlereagh, in 1899, and later succeeded as Marchioness of Londonderry upon her husband's death in 1942. During the First World War, Londonderry House served as a military hospital, and the Marchioness took an active role in the war effort. She became the director of the Women's Legion, originally the Women's Volunteer Reserve, and showed particular interest in the Military Cooking Section. The Marchioness's dedication to the war effort was a testament to her strength and resilience, making her a respected figure in society. In this image, the Marchioness stands proudly in front of a Thomas Lawrence portrait of her husband, Robert, 2nd Marquess of Londonderry. She wears a magnificent diamond tiara, earrings, and stomacher, all of which are heirlooms of the Londonderry family. The splendour of her jewels and the regal atmosphere of the room add to the sense of grandeur and aristocratic tradition. The Marchioness's elegant appearance and the magnificent setting of Londonderry House are captured in this photograph, which was published in The Tatler in 1948. The image showcases the Marchioness's society status and her role as an aristocrat and peeress, making it a fascinating glimpse into the world of the British aristocracy during the post-war era.
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