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Fine Art Print : Parts of the London Wall and Bethlem or Bedlam

Parts of the London Wall and Bethlem or Bedlam



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Parts of the London Wall and Bethlem or Bedlam

Parts of the London Wall and Bethlem or Bedlam Hospital, built in 1675. Copperplate engraving drawn and etched by John Thomas Smith from his Topography of London, 1814

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 23202332

© Florilegius/Mary Evans

Asylum Bedlam Bethlehem Bethlem C19th Insane Lunatic Madness Mental Regency Topography Smith


20"x16" (+3" Border) Fine Art Print

Step back in time with our exquisite selection of Fine Art Prints from Media Storehouse, featuring this captivating image of Parts of the London Wall and Bethlem or Bedlam Hospital. Drawn and etched by John Thomas Smith in 1814, this intricately detailed copperplate engraving offers a glimpse into the history of London. The ancient London Wall stands proudly, a testament to the city's rich past, while Bethlem Hospital, also known as Bedlam, looms in the background. Add an air of sophistication and historical charm to your home or office with this stunning piece of art from Media Storehouse, available now through Mary Evans Prints Online.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 55.9cm x 66cm (22" x 26")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Architecture > Hospitals

> Architecture > Styles > Regency Architecture

> Arts > Artists > S > John Thomas Smith

> Arts > Artists > S > Mary Smith

> Europe > United Kingdom > England > London > Hospitals

> Mary Evans Prints Online > New Images August 2021


EDITORS COMMENTS
This copperplate engraving, drawn and etched by John Thomas Smith for his Topography of London, published in 1814, offers a fascinating glimpse into the historical landscape of London during the Regency period. The image depicts two significant landmarks of the city: parts of the ancient London Wall and the Bethlem or Bedlam Hospital. The London Wall, a remnant of the Roman fortifications that once protected the city, is shown in the foreground, its crumbling stones and arches standing as a testament to the rich history of the metropolis. The wall, built around 200 AD, served as a vital defensive structure for over a millennium, and its ruins continue to intrigue visitors and historians alike. In the background, the Bethlem or Bedlam Hospital comes into view. Established in 1675, this institution was one of the earliest mental asylums in England, providing care for the mentally ill and the 'mad.' The hospital, which gained notoriety for its chaotic conditions and public spectacles, was a stark contrast to the orderly London Wall. The image reveals a mix of architectural styles, with the older, Gothic-style buildings juxtaposed against the more modern, classical structures. This print not only offers a glimpse into London's past but also sheds light on the evolving understanding of mental health and care during the 19th century. The image invites us to ponder the complexities of human nature, the role of institutions in shaping our cities, and the enduring allure of history.

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